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Lost and Found: Reinventing Multi-Screen Adaptable Architecture

机译:失物招领处:重塑多屏自适应架构

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Orthodox Western architecture has long been framed as solid and static objects, and thus as a means to stabilise society and represent permanence. It emphasises the completed building as a finished project for a particular user and location. However, it overtly reduces buildings to an explicit set of specifications, and excessively subjects space to usage. Alongside the mainstream discourse, there has been a growing awareness of architecture as a dynamic equilibrium of everyday process. The notion of adaptability introduces time and the unknown causes of change to architecture. Given the instability of contemporary society and the diversity of urban lifestyles, the imperative is even more pressing today than when adaptability was first introduced, in the 1950s, as a general architectural principle of resistance and extension of functionalism.
机译:长期以来,东正教的西方建筑都被固定为固体和静态物体,因此成为稳定社会和代表持久性的一种手段。它强调完成的建筑物是针对特定用户和位置的完成项目。但是,它公开地将建筑物缩减为一组明确的规格,并过多地限制了空间的使用范围。除了主流的论述外,人们对建筑作为日常过程的动态平衡的认识也越来越高。适应性的概念引入了时间以及架构变化的未知原因。鉴于当代社会的动荡和城市生活方式的多样性,今天的当务之急甚至比1950年代首次引入适应性作为抵抗和扩展功能主义的一般建筑原则时更为紧迫。

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    《Architectural Design》 |2018年第6期|32-39|共8页
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