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首页> 外文期刊>American Journal of Psychoanalysis >A TRANSFER OF TECHNIQUE: FROM INDUCED SONG RECALL TO THE INDUCED RECALL OF PAINTINGS
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A TRANSFER OF TECHNIQUE: FROM INDUCED SONG RECALL TO THE INDUCED RECALL OF PAINTINGS

机译:技术的转移:从诱导的歌曲回想到绘画的诱导的回想

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摘要

In this paper, I have briefly presented clinical illustrations of both unconsciously and consciously induced evocations of paintings. A supervision case with the unintentional recall of both a painting and a song was also discussed. To test the induced recall technique with paintings, I had decided a priori to apply it with that patient, in that particular session. It was serendipitous that he had read the night before about Goya's painting (Dfaz de Chumaceiro, 1995). Nevertheless, the induced question about any art is powerful, if applied at a moment of rapport, with those who have a background in that particular art form. If self-applied, the answers that surface to consciousness can serve to advance self-understanding of counter-transferential binds that may be contributing to patients' resistances to saying everything that comes to mind.
机译:在本文中,我简要介绍了无意识和有意识地诱发绘画的临床插图。还讨论了一起无意中召回绘画和歌曲的监督案件。为了测试绘画诱发的回忆技术,我决定在特定的会议上先验地将其应用于该患者。他在前一天晚上读了关于戈雅的画是偶然的(Dfaz de Chumaceiro,1995)。但是,如果与那些具有该特定艺术形式的背景知识的人融洽相处,那么关于任何艺术的引诱问题都是有力的。如果自我应用,意识表面的答案可以促进对反转移结合的自我理解,这可能会导致患者抵制说出的一切想法。

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