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Beating time: How ensemble musicians’ cueing gestures communicate beat position and tempo

机译:节拍时间:合奏音乐家的提示手势如何传达节拍位置和节奏

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摘要

Ensemble musicians typically exchange visual cues to coordinate piece entrances. “Cueing-in” gestures indicate when to begin playing and at what tempo. This study investigated how timing information is encoded in musicians’ cueing-in gestures. Gesture acceleration patterns were expected to indicate beat position, while gesture periodicity, duration, and peak gesture velocity were expected to indicate tempo. Same-instrument ensembles (e.g., piano–piano) were expected to synchronize more successfully than mixed-instrument ensembles (e.g., piano–violin). Duos performed short passages as their head and (for violinists) bowing hand movements were tracked with accelerometers and Kinect sensors. Performers alternated between leader/follower roles; leaders heard a tempo via headphones and cued their partner in nonverbally. Violin duos synchronized more successfully than either piano duos or piano–violin duos, possibly because violinists were more experienced in ensemble playing than pianists. Peak acceleration indicated beat position in leaders’ head-nodding gestures. Gesture duration and periodicity in leaders’ head and bowing hand gestures indicated tempo. The results show that the spatio-temporal characteristics of cueing-in gestures guide beat perception, enabling synchronization with visual gestures that follow a range of spatial trajectories.
机译:合奏音乐家通常会交换视觉线索来协调乐曲的入口。 “提示”手势指示何时开始播放以及以什么速度播放。这项研究调查了时序信息如何在音乐家的提示手势中进行编码。手势加速模式可以指示拍子位置,而手势周期性,持续时间和峰值手势速度则可以指示节奏。预计相同乐器的合奏(例如钢琴-钢琴)比混合乐器的合奏(例如钢琴-小提琴)更成功地同步。当他们的头和(对于小提琴手)弓箭手的动作通过加速度计和Kinect传感器跟踪时,Duos进行了短传。表演者在领导者/跟随者角色之间轮流交替;领导者通过耳机听到节奏,并以非言语的方式暗示对方。小提琴二重奏组比钢琴二重奏组或钢琴小提琴二重奏组更成功地进行了同步,这可能是因为小提琴演奏家比钢琴演奏家在合奏方面更有经验。峰值加速度表示领导者点头手势中的节拍位置。领导者头部和弓箭手势的手势持续时间和周期性表明节奏。结果表明,提示手势的时空特性指导节拍感知,从而使跟随手势遵循一系列空间轨迹。

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