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Expressive intent, ambiguity, and aesthetic experiences of music and poetry

机译:音乐和诗歌的表达意图,模糊性和审美体验

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摘要

A growing number of studies are investigating the way that aesthetic experiences are generated across different media. Empathy with a perceived human artist has been suggested as a common mechanism []. In this study, people heard 30 s excerpts of ambiguous music and poetry preceded by neutral, positively valenced, or negatively valenced information about the composer's or author’s intent. The information influenced their perception of the excerpts—excerpts paired with positive intent information were perceived as happier and excerpts paired with negative intent information were perceived as sadder (although across intent conditions, musical excerpts were perceived as happier than poetry excerpts). Moreover, the information modulated the aesthetic experience of the excerpts in different ways for the different excerpt types: positive intent information increased enjoyment and the degree to which people found the musical excerpts to be moving, but negative intent information increased these qualities for poetry. Additionally, positive intent information was judged to better match musical excerpts and negative intent information to better match poetic excerpts. These results suggest that empathy with a perceived human artist is indeed an important shared factor across experiences of music and poetry, but that other mechanisms distinguish the generation of aesthetic appreciation between these two media.
机译:越来越多的研究正在研究在不同媒体上产生审美体验的方式。有人建议同情人类艺术家是一种常见的机制[]。在这项研究中,人们听了30秒钟的音乐和诗歌模棱两可的摘录,然后摘录了关于作曲家或作者意图的中性,正面价或负面价信息。信息会影响他们对摘录的理解-带有积极意图信息的摘录会被认为更快乐,带有否定意图信息的摘录会被认为更难(尽管在各种意图条件下,音乐摘录都比诗歌摘录更快乐)。此外,这些信息以不同的方式针对不同的摘录类型调节了摘录的审美体验:积极的意图信息增加了人们的愉悦感,人们发现音乐摘录的动感程度,但是消极的意图信息则增强了诗歌的这些品质。此外,判断正面意图信息可以更好地匹配音乐摘录,而负面意图信息则可以更好地匹配诗意摘录。这些结果表明,同情人类艺术家确实是音乐和诗歌体验中一个重要的共同因素,但是其他机制可以区分这两种媒体之间审美欣赏的产生。

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