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The Way I Paint—How Image Composition Emerges During the Creation of AbstractArtworks

机译:我的绘画方式—抽象创作过程中图像构图的出现艺术品

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摘要

In recent years, there has been an increasing number of studies on objective imageproperties in visual artworks. Little is known, however, about how these image propertiesemerge while artists create their artworks. In order to study this matter, I produced fivecolored abstract artworks by myself and recorded state images at all stages of theircreation. For each image, I then calculated low-level features from deep neural networks,which served as a model of responses properties in visual cortex. Two-dimensional plots ofvariances that were derived from these features showed that the drawings differ greatly atearly stages of their creation, but then follow a narrow common path to terminate at orclose to a position where traditional paintings cluster in the plots. Whether otherartists use similar perceptive strategies while they create artworks remains to bestudied.
机译:近年来,关于客观图像的研究越来越多视觉艺术品中的属性。但是,关于这些图像特性的了解却很少在艺术家创作作品的同时出现。为了研究这个问题,我制作了五个我自己给抽象艺术品上色,并记录他们各个阶段的状态图像创建。然后,对于每张图像,我都会根据深度神经网络计算出低级特征,作为视觉皮层反应特性的模型的二维图从这些特征得出的差异表明,图纸在它们创建的早期阶段,但随后沿着一条狭窄的共同道路终止于或接近传统绘画在地块中聚集的位置。是否其他艺术家在创作艺术品时使用类似的感知策略研究。

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