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Musicians and music making as a model for the study of brain plasticity

机译:音乐家和音乐制作作为研究大脑可塑性的模型

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摘要

Playing a musical instrument is an intense, multisensory, and motor experience that usually commences at an early age and requires the acquisition and maintenance of a range of sensory and motor skills over the course of a musician’s lifetime. Thus, musicians offer an excellent human model for studying behavioral-cognitive as well as brain effects of acquiring, practicing, and maintaining these specialized skills. Research has shown that repeatedly practicing the association of motor actions with specific sound and visual patterns (musical notation), while receiving continuous multisensory feedback will strengthen connections between auditory and motor regions (e.g., arcuate fasciculus) as well as multimodal integration regions. Plasticity in this network may explain some of the sensorimotor and cognitive enhancements that have been associated with music training. Furthermore, the plasticity of this system as a result of long term and intense interventions suggest the potential for music making activities (e.g., forms of singing) as an intervention for neurological and developmental disorders to learn and relearn associations between auditory and motor functions such as vocal motor functions.
机译:演奏乐器是一种强烈的,多感觉的和运动的体验,通常从小就开始,并且需要在音乐家的一生中获得并维持一系列的感觉和运动技能。因此,音乐家为研究行为认知以及获得,练习和保持这些专业技能的大脑效应提供了一个出色的人类模型。研究表明,反复练习运动动作与特定的声音和视觉模式(音乐符号)的关联,同时接收连续的多感官反馈将加强听觉和运动区域(例如弓形束)和多峰整合区域之间的联系。该网络中的可塑性可能解释了与音乐训练相关的一些感觉运动和认知增强。此外,由于长期和强烈的干预,该系统的可塑性暗示了音乐创作活动(例如唱歌的形式)作为神经和发育障碍的干预措施的潜力,以学习和重新学习听觉和运动功能之间的关联,例如声带运动功能。

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