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Comparing gender discrimination and inequality in indie and traditional publishing

机译:比较独立出版和传统出版中的性别歧视和不平等

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摘要

In traditional publishing, female authors’ titles command nearly half (45%) the price of male authors’ and are underrepresented in more prestigious genres, and books are published by publishing houses, which determined whose books get published, subject classification, and retail price. In the last decade, the growth of digital technologies and sales platforms have enabled unprecedented numbers of authors to bypass publishers to publish and sell books. The rise of indie publishing (aka self-publishing) reflects the growth of the “gig” economy, where the influence of firms has diminished and workers are exposed more directly to external markets. Encompassing the traditional and the gig economy, the book industry illuminates how the gig economy may disrupt, replicate, or transform the gender discrimination mechanisms and inequality found in the traditional economy. In a natural experiment spanning from 2002 to 2012 and including over two million book titles, we compare discrimination mechanisms and inequality in indie and traditional publishing. We find that indie publishing, though more egalitarian, largely replicates traditional publishing’s gender discrimination patterns, showing an unequal distribution of male and female authors by genre (allocative discrimination), devaluation of genres written predominantly by female authors (valuative discrimination), and lower prices within genres for books by female authors (within-job discrimination). However, these discrimination mechanisms are associated with far less price inequality in indie, only 7%, in large part due to the smaller and lower range of prices in indie publishing compared to traditional publishing. We conclude that, with greater freedom, workers in the gig economy may be inclined to greater equality but will largely replicate existing labor market segmentation and the lower valuation of female-typical work and of female workers. Nonetheless, price setting for work may be more similar for workers in the gig economy due to market competition that will compress prices ranges.
机译:在传统出版中,女性作家的头衔要占男性作家价格的近一半(45%),而在比较负盛名的文学体裁中所占的比例却不足,出版商则出版书籍,从而确定出版者,主题分类和零售价。 。在过去的十年中,数字技术和销售平台的增长使空前的作者数量得以绕过出版商来出版和销售书籍。独立出版(又名自我出版)的兴起反映了“零工”经济的增长,在这种经济中,公司的影响力已减弱,工人更直接地受到外部市场的影响。书籍行业涵盖了传统经济和零工经济,阐明了零工经济如何破坏,复制或改变传统经济中的性别歧视机制和不平等现象。通过2002年至2012年的自然实验,包括超过200万本书的标题,我们比较了独立和传统出版中的歧视机制和不平等现象。我们发现,独立出版,尽管更具平等性,但在很大程度上复制了传统出版的性别歧视模式,显示了男性作家和女性作家在类型上的不平等分布(分配歧视),主要由女性作家撰写的类型贬值(价值歧视)以及较低的价格在女性作家的书籍类型中(在工作中受到歧视)。但是,这些歧视机制与独立发行中的价格不平等相比要少得多,仅为7%,这在很大程度上是由于独立发行与传统发行相比价格范围较小且较低。我们得出的结论是,零工经济中的工人有了更大的自由,可能会倾向于更大的平等,但将在很大程度上复制现有的劳动力市场分割以及女性典型工作和女性工人的较低估值。尽管如此,由于市场竞争会压缩价格范围,因此零工经济中工人的工作价格设定可能会更加相似。

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  • 年(卷),期 -1(13),4
  • 年度 -1
  • 页码 e0195298
  • 总页数 20
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