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Embodying the camera: An EEG study on the effect of camera movements on film spectators´ sensorimotor cortex activation

机译:体现摄影机:一项脑电图研究研究摄影机运动对电影观众的感觉运动皮层激活的影响

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摘要

One key feature of film consists in its power to bodily engage the viewer. Previous research has suggested lens and camera movements to be among the most effective stylistic devices involved in such engagement. In an EEG experiment we assessed the role of such movements in modulating specific spectators´ neural and experiential responses, likely reflecting such engagement. We produced short video clips of an empty room with a still, a zooming and a moving camera (steadicam) that might simulate the movement of an observer in different ways. We found an event related desynchronization of the beta components of the rolandic mu rhythm that was stronger for the clips produced with steadicam than for those produced with a still or zooming camera. No equivalent modulation in the attention related occipital areas was found, thus confirming the sensorimotor nature of spectators´ neural responses to the film clips. The present study provides the first empirical evidence that filmic means such as camera movements alone can modulate spectators’ bodily engagement with film.
机译:电影的一个主要特征在于其能吸引观众的力量。先前的研究表明,镜头和照相机的移动是参与这种接合的最有效的样式设备。在一项EEG实验中,我们评估了此类动作在调节特定观众的神经和体验反应中的作用,这很可能反映了这种参与。我们制作了一个空房间的简短视频片段,其中包含一个静止的,一个变焦的和一个移动的相机(替身),可以用不同的方式模拟观察者的运动。我们发现,与事件相关的rolandic mu节奏的β分量失步,与使用固定相机或变焦相机拍摄的片段相比,用斯坦尼康来拍摄的片段更强。在注意力相关的枕骨区域没有发现等效的调节,因此证实了观众对胶片的神经反应的感觉运动性质。本研究提供了第一个经验证据,即仅通过摄影机移动之类的摄影手段就能调节观众对电影的身体参与。

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