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Intra-auditory integration between pitch and loudness in humans: Evidence of super-optimal integration at moderate uncertainty in auditory signals

机译:人类音高和响度之间的听觉内整合:在听觉信号中等不确定性下超最佳整合的证据

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摘要

When a person plays a musical instrument, sound is produced and the integrated frequency and intensity produced are perceived aurally. The central nervous system (CNS) receives defective afferent signals from auditory systems and delivers imperfect efferent signals to the motor system due to the noise in both systems. However, it is still little known about auditory-motor interactions for successful performance. Here, we investigated auditory-motor interactions as multi-sensory input and multi-motor output system. Subjects performed a constant force production task using four fingers in three different auditory feedback conditions, where either the frequency (F), intensity (I), or both frequency and intensity (FI) of an auditory tone changed with sum of finger forces. Four levels of uncertainty (high, moderate-high, moderate-low, and low) were conditioned by manipulating the feedback gain of the produced force. We observed performance enhancement under the FI condition compared to either F or I alone at moderate-high uncertainty. Interestingly, the performance enhancement was greater than the prediction of the Bayesian model, suggesting super-optimality. We also observed deteriorated synergistic multi-finger interactions as the level of uncertainty increased, suggesting that the CNS responded to increased uncertainty by changing control strategy of multi-finger actions.
机译:当人弹奏乐器时,会发出声音,并且听觉上会感觉到产生的积分频率和强度。由于两个系统中的噪声,中枢神经系统(CNS)从听觉系统接收到有缺陷的传入信号,并将不完善的传出信号传递到运动系统。然而,对于成功进行表演的听觉-运动相互作用尚知之甚少。在这里,我们研究了听觉-运动相互作用作为多感觉输入和多运动输出系统。受试者在三个不同的听觉反馈条件下使用四个手指执行恒定的力产生任务,其中听觉频率的频率(F),强度(I)或频率和强度(FI)随手指力的总和而变化。通过操纵产生力的反馈增益来调节四个级别的不确定性(高,中高,中低和低)。我们观察到在中等高度不确定性下,与单独使用F或I相比,在FI条件下的性能增强。有趣的是,性能增强要大于贝叶斯模型的预测,这表明它具有超优化性。随着不确定性水平的提高,我们还观察到协同多指互动的恶化,这表明中枢神经系统通过改变多指动作的控制策略来应对不确定性的增加。

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