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A general rule for sensory cue summation: evidence from photographic musical phonetic and cross-modal stimuli

机译:感官提示求和的一般规则:来自摄影音乐语音和跨模式刺激的证据

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摘要

The Euclidean and MAX metrics have been widely used to model cue summation psychophysically and computationally. Both rules happen to be special cases of a more general Minkowski summation rule , where m = 2 and ∞, respectively. In vision research, Minkowski summation with power m = 3–4 has been shown to be a superior model of how subthreshold components sum to give an overall detection threshold. Recently, we have previously reported that Minkowski summation with power m = 2.84 accurately models summation of suprathreshold visual cues in photographs. In four suprathreshold discrimination experiments, we confirm the previous findings with new visual stimuli and extend the applicability of this rule to cue combination in auditory stimuli (musical sequences and phonetic utterances, where m = 2.95 and 2.54, respectively) and cross-modal stimuli (m = 2.56). In all cases, Minkowski summation with power m = 2.5–3 outperforms the Euclidean and MAX operator models. We propose that this reflects the summation of neuronal responses that are not entirely independent but which show some correlation in their magnitudes. Our findings are consistent with electrophysiological research that demonstrates signal correlations (r = 0.1–0.2) between sensory neurons when these are presented with natural stimuli.
机译:欧几里得度量和MAX度量已被广泛用于从心理上和计算上对提示求和建模。这两个规则恰好是更通用的Minkowski求和规则的特例,其中m = 2和∞。在视觉研究中,功率为m = 3-4的Minkowski求和已被证明是一个亚阈值分量如何求和以给出整体检测阈值的高级模型。最近,我们以前曾报道过,功率为m = 2.84的Minkowski求和可准确地模拟照片中超阈值视觉线索的求和。在四个超阈值歧视实验中,我们用新的视觉刺激确认了先前的发现,并将该规则的适用性扩展到了听觉刺激(音乐序列和语音,分别为m = 2.95和2.54)和交叉模态刺激( m = 2.56)。在所有情况下,功效为m = 2.5–3的Minkowski加法均优于Euclidean和MAX运算符模型。我们建议这反映了神经元反应的总和,这些反应并非完全独立,但在其大小上显示出一定的相关性。我们的发现与电生理研究一致,后者表明当感觉神经元受到自然刺激时,它们之间的信号相关性(r = 0.1–0.2)。

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