全球化进程中的上海想象——论新世纪以来上海题材电影中的全球性和本土性书写及其误区

摘要

本文对新世纪以来上海题材电影中的全球性与本土性书写进行了梳理，认为上海题材电影中的全球性书写主要体现在影片中对“无地区性”空间和阿帕杜莱所谓的“人种图景”与“意识形态图景”的展现，而其本土性书写则主要是通过“家”的意象和全球化都市中的“本地人”的存在状态的呈现等途径来完成的。并且指出，新世纪以来上海题材电影中全球化想象的误区主要在于一些创作者沉迷于对上海光怪陆离的全球化景观的展现，却忽视了对其本土性面向的关注和思考。%By analyzing the presentation of globalization and localization in Shanghai-themed movies in the 21st century, this paper argues that globalization is mainly reflected in the cinematic presentation of ＂non- regional＂ space and ＂ethnoscapes＂ as well as ＂ideoscapes＂ alleged by Appadurai, while the writ- ing of localization is achieved thro~h the demonstration of ＂home＂ and existence of ＂locals＂ in a global- ized city. The paper further points out some filmmakers have been addicted to unfolding the landscape of globalization in Shanghai, but lacked attention to and thinkin~ of its localization.