作为周代生活、朝会、祭祀等活动诗歌总集的《诗三百》,在春秋时代因贵族外交、内政活动的大量引用而转入以"赋诗断章"为特点的政治应用,其对诗的引用评说更多地突破文字本身的含义而与引用者当时的情境相关.《论语》中孔子引诗论诗,则逾出文字与具体政治之局限,以礼诗乐舞合一统论诗所彰显的礼乐、仁德、成人、政治等周代礼乐文化与价值观念之复兴.这种对诗内涵、评价、使用的扩展使其走向经学化,奠定了后儒"汉学"与"宋学"两个诗经学诠释方向.在这个意义上,孔子诗学是《诗经》成为儒家经典的关键点.%As a poetry collection describing daily life,ritual and palace activities of Zhou Dynasty,the Book of Songs was seen as a political literature due to the nobles widely used in domestic and foreign affairs at Spring and Autumn Period.The aristocracy quoted and commented the Book of Songs according to their actual situation,thus they broke through the text itself and gave the Book of Songs new meanings.Confu-cius also broke through the text and the political limitations of the time,and argued the resurgence of ritual culture and values about ritual,benevolence,adult,politics,etc.showing in the Book of Songs by the viewpoint of the together among ritual,song,music and dance when he cited and talked the Book of Songs in the Analects of Confucius.Due to the expansion of Confucius'connotation,evaluation,and use of the book of songs,the book became a Confucian classic,and Confucius established two kinds of interpretations about the Book of Songs which are called Han Confucianism and Song Confucianism respectively.In this sense,Confucius poetics is the key point of the Book of Songs becoming a Confucian classic.
展开▼
