从《大闹天宫》到《大圣归来》,国产动画电影经历了50多年的发展,电影创作所依附的社会创作语境与观众观影心理发生了翻天覆地的变化.时代语境中诞生的两部相同题材的动画作品在影片叙事的主题表达、视角建构、空间塑造、结构设置等创作维度上有着显著的差异性,以至于呈现出截然不同的审美特质与民族文化影像景观,分析和比较这种叙事差异性能直观领略国产动画电影民族化叙事50多年的艺术创作嬗变.%From Monkey Makes Havoc in Heaven to Monkey King: Hero Is Back, the domestic animated films have experienced development of more than 50 years, with significant changes in social context as well as audience`s viewing psychology attached to filmmaking.Given birth in different contexts of times, the two animation works of the same theme differ strikingly in creation dimension of film narration, such as theme expression, viewpoint construction, space shaping and structural settings, thus showing distinctive aesthetic features and image landscape of national culture.Therefore, analysis and comparison on those narrative differences can shed light on the narrative evolution of nationalization for domestic animated films in recent five decades.
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