从审美现代性到美学启蒙：朱光潜的“审美超越”观

摘要

The specification and construction of modern Chinese subject system is produced and developed under the influence of western learning;the western aesthetic modernity has given China modern aesthetic construction and social enlightenment great theory value. When western heterogeneous resources face localization and traditional Chinese, when the system of theory and subject system impact on the traditional way of narration"poetry review", the inner tension differences are inevitable. In terms of Zhu Guangqian’s aesthetics, this aesthetic system, from his aesthetic experience to artistic life, from the image to the release of perceptual intuitive, happens to be in the transition of Chinese modern aesthetics representation, and becomes a typical representative of Chinese and western differences. To explore the western aesthetic modernity and the differences between the Chinese enlightenment aesthetics, explore Zhu Guangqian’s aesthetic stalemate and the tension between independence and aesthetic transcendence, will bring new thinking to the construction of modern aesthetics.%中国现代学科体系的规范和建立，是在西学的影响之下产生、发展的，西方的审美现代性给予中国现代以来的美学建设和社会启蒙以巨大的理论价值。当西方的异质资源面临本土化和中国传统，当系统的理论知识与学科体系冲击传统的“诗文评”言说方式，内在的张力性差异就无可避免的产生了。从朱光潜美学而言，从美感体验到艺术化人生、从感性直观到从形象中得解脱这一美学体系正是处在中国现代美学转型期的“风口浪尖”之上，是中西差异的典型代表。探求西方审美现代性与中国启蒙美学之间的差异，进而发掘朱光潜美学理论中的审美独立与审美超越之间的胶着和张力，将给现代美学的建设带来新的思考。