论萨尔曼·拉什迪《午夜之子》中的后殖民隐喻

摘要

后殖民隐喻是解读萨尔曼·拉什迪作品的关键。拉什迪的《午夜之子》为读者呈现了诸多意象，通过穿孔床单和阿齐兹的鼻子、银痰盂及腌菜这几个意象，揭示了拉什迪对印度独立前后官方历史的质疑和颠覆，对诠释后殖民印度人身份和历史记忆有重要意义。%Post-colonial metaphor is the key to Salman Rushdie’s work. Midnight’s Children presents many images. By analyzing these images-the perforated sheet and Aziz’s nose, the spittoon and pickling-making, this essay reveals Rushdie’s doubt and subversion of the official history between pre-independent and post-independent India, which is of great significance to the interpretation of Indian identity and historical memory.