首页> 中文期刊> 《山东师范大学学报(人文社会科学版)》 >明前期台阁文人“风格论”探析

明前期台阁文人“风格论”探析

         

摘要

The Secretariat Style( Taigeti)occupied the mainstream literary world during the period from the reign of Emperor Yongle( reigned 1403~1424 )to that of Emperor Chenghua( reigned 1465~1487 ) of the Ming Dynasty(1368~1644). Its members praised highly a style of“gentleness,placidness and simplicity”and of“elegance,gracefulness and dignity”,and,in fact,their poems could coordinate with its ideal style. However,after its proliferation,its style became“vague and general,and redundant and superfluous”,and“leisurely and unhurried,and luxurious and resplendent”. Its changeover in style and the causes for this could be deciphered from the example of Zhou Xu(1473~1557)and Shang Lu(1414~1486). And when its members discussed the origin of the style of poetry,they did not concern about the differences among the personalities of the poets,and the different ages and regions they live in,but stressed their experiences in prosperous times and their status as members of the Secretariat. This,too,is the very reason for the formation of the secretariat style.%明永乐至成化间“台阁体”占据主流文坛,台阁文人推崇“和平冲澹”、“舂容典雅”风格,实际创作中亦能与其理想风格相照应。但台阁体泛衍后,其风格逐渐变为肤廓冗沓、!缓靡丽,以周叙、商辂二人为例,可以看出台阁体风格转变及成因。台阁文人论述诗歌风格之因由,并不注重诗人个性、时代地域之差异,而强调其盛世遭逢与馆阁身份,这正是台阁体风格的重要成因。

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