每个文本都具有复杂性、异质性和多样性，任何文本的意义都要依赖其他文本的意义才能完全阐释。本文首先简要介绍了互文性理论，宏观互文性和微观互文性的语篇特征，和主题互文链。热奈特提出了跨文本性概念，并划分了五种类型的跨文本关系，本文侧重介绍其中的副文本互文性。本文应用上述理论，从主题互文链、再语境化和副文本互文性三个层面分析《北京遇上西雅图》。该电影的主题和它的前文本《金玉盟》、《西雅图夜未眠》等建构了两条清晰的主题互文链。海报、电影片花、剧组的媒体推介和访谈活动构成了该电影最广义的副文本，并最终促成了其五点二亿人民币的票房神话。%Every text bears complexity, heterogeneity and diversity, and its interpretation depends on interpretation of other texts. This paper gives a brief account of intertextuality, its discourse features at both macro- and micro- levels, and thematic intertextuality chain. Genette put forward to the concept of transtextuality and its five sub-types, among which paratextuality falls within the focus of this paper. This paper then applies the above-mentioned theory, and analyzes the film Finding Mr. Right from three perspectives, namely, thematic intertextuality chain,recontextualization and paratextuality. The film forms two appar-ent thematic intertextuality chains with its pretexts An Affair to Remember and Sleepless in Seattle. Movie posters, trailers and clips, interviews and the crew’ s promotion activities constitute a paratext in the broadest sense and contributes to a box miracle of five thousand twenty hundred million RMB.
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