元燕南芝庵宫调理论与元杂剧中宫调应用之关系辨析

摘要

Up to now, The Theory of Singing by Yan Nanzhian is the earliest work from Yuan dynasty in which Gong -Diao theory is mentioned.In his book, Yan Nanzhian stated that of all sounds, there are in total 17 Gong -Diao, including 6 Gong and 11 Diao.This paper examines and analyzes the connection between Yan Nanzhian's Gong -Diao theory and the application of this theory in Yuan Zaju plays from three aspects as follows: the general application of the theory in Yuan dynasty, the consistence of the application of the theory in Yuan Zaju plays with Yan Nanzhian's theory, and the evolution of the theory prompted by Yuan Zaju plays.It is hoped that the nature and the rational core of Zhian Gong -Diao theory can be found through its form, and that people can be reminded of the fact that the study of music and art laws is endless.%燕南芝庵的《唱论》是迄今为止所发现的元人最早提及宫调理论的著作，他在书中说：大凡声音，有六宫十一调，共十七宫调。本文从元代“宫调”理论应用概况、元杂剧宫调应用与燕南芝庵宫调理论的一致性、元杂剧对燕南芝庵宫调理论的发展等三方面对芝庵宫调理论与元杂剧中宫调应用的关系进行了分析和论述，以期能透过形式而窥其本质，寻求芝庵宫调理论的合理内核，提示人们对音乐艺术规律的研究是永无止境的。