综观日本汉诗集《怀风藻》中关于山水的描写，其思想倾向、审美情趣、遣词造句等方面随处可见道教文化影响的痕迹。投影在《怀风藻》里的神仙意象和吉野仙境观，都体现了奈良贵族对充分满足人间享乐生活的心驰神往。在道教消极遁世、慕仙向道的观念作用下，《怀风藻》诗人总是强烈地抒发徜徉山水之趣，流露出崇尚自然的情愫，这是日本固有思想与中国老庄玄理的遇合，也是奈良贵族游览山水时在诗里若隐若现的思想背景。% Looking at the description of landscapes, no matter the ideological tendencies, aesthetic taste, or the words and sentences, the influence of Taoism can be seen everywhere. The immortal image and Japanese Yoshino Wonderland concept, which are projected in Kaifūsō, reflect the fact that the nobility yearned for a life of pleasure. Under the concept of seclusion and envy of the immortals, the author of Kaifūsō expressed the feeling of looking forward to nature. This is not only a combination of Japan’s inherent ideology with Lao Zi and Zhuang Zi Metaphysics, but also the ideology of the poems which were written by the Nara nobility about nature.
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