首页> 中文期刊> 《湖南大学学报(社会科学版)》 >民国时期中国艺术学建设中的日本影响∗

民国时期中国艺术学建设中的日本影响∗

         

摘要

民国时期,我国一大批学者东渡日本,从那里吸收学习各国的艺术理论,并将其融入自身的文艺创作中,对我国艺术学理论的建设起到了重要的影响。这种影响主要表现在两个方面:一是艺术学相关基本概念的移植和引进,以及艺术的起源、分类和本质等方面我国学者对日本艺术理论的吸收、借鉴和发展。另一方面是留学背景对旅日学者审美观念的改变以及日文艺术论著对译者审美理论形成的影响。%During the period of the Republic of China,a large number of scholars went to Japan,they learned and absorbed the theory of Western Art,which was important for emergence and development of Chinese Art.In this article,the meaning,using and evolution of meaning of the basic concepts were sum-marized at first.Then,the article elaborated that Chinese scholars absorbed and referenced the Western art theory through Japan from origin,classification and the nature of art,and its reference value for the construction of Chinese art theory.At last,the author discussed the changes of the aesthetic ideas of the scholars studying in Japan and the influence of Japanese art works on the formation of the translator's aes-thetic theory.

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