首页> 中文期刊>淮海工学院学报(社会科学版) >沉默与凝视--《钢琴课》之女性主义解读

沉默与凝视--《钢琴课》之女性主义解读

     

摘要

As a typical feminist cinema,The Piano concerns the life and love of females from the feminist perspective.The female protagonist Ada was powerless in the oppressive patriarchal society.But she fought against it subconsciously with determination:she never spoke but at last she did;she broke the he-gemony of the“male gaze”and became the viewer of male body.This paper attempts to offer a feminist in-terpretation of the film from the above-mentioned two aspects.%《钢琴课》是一部从女性主义视角关注女性的生存和爱情的影片,是现代女性主义电影的经典之作。主人公艾达身上体现了父权制对女性无处不在的权力压迫,而艾达也自觉而坚定地做出了相应的抵制和抗争:从失语沉默到重拾话语,从男性凝视的客体到凝视男性的主体。文章试从失语与凝视两个方面分析艾达身上所表现出的鲜明的女性意识和反抗精神。

著录项

相似文献

  • 中文文献
  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号