叙事与哲学：小说艺术论

摘要

从中国作家莫言获得诺贝尔文学奖引发的不同声音中，我们能够解读出大众对早已从万人瞩目的中心走向无人喝彩的边缘的小说文类的一种在意。这为我们重新认识小说艺术在当今时代的文化价值，提供了一个有利的契机。事实表明，问题的关键在于“媒介时代”的“信息人”的去人性化。而迄今在小说学领域仍扮演着重要角色的叙述学，对此起到推波助澜的消极作用。为了促进小说艺术的发展，我们需要借助叙事哲学的力量，从关于故事的小说诗学中寻找新的路径。%It is easy to interpret from different voices of Mo Yan's winning Nobel Prize in Literature that Chinese readers tend to shift their attention from the central genre to that of the fringe fiction.Therefore, it provides us with a favorable opportunity to reevaluate the cultural value of fiction art in modern society, in which the depersonalization of the“information man” in media age being the core.Narrative, which plays an important role in fiction, unluckily exerts a negative influence on it.In order to promote the fiction development, it is essential for us to explore a new way in story-focused fiction poetics with the help of nar-rative philosophy.