影响的焦虑：现代新诗中绘画美的困境

摘要

中外诗词的辉煌成就使得现代诗人产生了“影响的焦虑”，新诗中的绘画美一定程度上陷入了困境。陈旧色彩意象的化用、拼凑、色彩隐喻文化的直接使用和古诗词的穿插不仅使得现代新诗中的色彩美失去了新鲜感，还造成了过度的感伤之情。线条意象的化用也是如此，斜线、细线、枯线、残缺之线的大量使用给新诗蒙上了过于浓郁的感伤和颓废，妨害了诗情的现代表达。构图美方面，中外诗词的强大影响使得郭沫若新诗中的画面形成了强烈的冲突，闻一多等人新诗的画面过于满与实，从而失于和谐统一。%TheglorioussuccessofChineseandforeignpoetryhasledtomodernpoets’s“anxietyofin-fluence”,thussomewhatplightingthepaintingbeautyofmodernverse.Theuseandpatchofstalecolor images,thedirectutilizationofcolormetaphoriccultureandtheinterspersionoftraditionalpoemshave notonlycausedthecolorbeautyofmodernversetoloseitsfreshnessbutalsoledtoexcessivesentimental-ity.Thesamecanbesaidoflineimages,fortheexcessiveuseofobliquelines,filaments,drylinesandin-completelineshastintednewversewithextremelydistinctsentimentalityanddecadencetothepointof hamperingthemodernexpressionofpoeticemotions.Asregardstheconstitutionalbeauty,thepowerful influenceofChineseandforeignpoetryhasledtoanintenseconflictinthepictureofGuoMoruo’snewpo-emsandtoafullandsolidbutunharmoniousanddisunitedpictureinthenewpoemsofWenYiduoand others.