石涛《画语录》提出“搜尽奇峰打草稿”,通常作为创作者体验生活、积累材料之论,还需要从创作论角度发掘其含义与意义,在界定阐发“搜尽”“奇峰”“草稿”内涵外延基础上,立足于从三个研究视角对其进行创作论定位:一是艺术来源于生活又高于生活的创作源泉论定位;二是展开为感受物象、构思意象、表现艺象的创作过程论定位;三是以“一画”之道的创作思想、“一画之法”的方法论基础、“画从心”的“自有我在”创作观的三位一体的方法论、主体论定位,阐发了“一画”论理论体系的“搜尽奇峰打草稿”创作论的价值意义。%From three angles the paper researches Shi Tao’s theoretical system of painting:first, discuss the localization of his theory of the source of creation-art comes from life and is also beyond life;second, discuss the localization of his creation process; third, expound the value of his theoretical system of creation.
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