Zhao Mengfu enjoyed a special status in the history of calligraphy. He carried on the calligraphic thought of restoring ancient ways of reverencing Zhong Yao and Wang Xizhi, advocated by Emperor Gaozong in Song Dynasty and made a great achievement; On the other hand, the restoring of ancient ways he created changed the road-map of calligraphic development in Song and Yuan Dynasties, which made him the key person in the calligraphic transformation of Song and Yuan Dynasties. This paper, based on the rare edition, annotations and Zhao＇s copy of Preface for the Orchid Pavilion Gathering, analyses Zhao＇s study of two Wangs from the perspective of nature, vision and kungfu. His imitation of two Wangs and advocacy of restoring ancient ways are the resultant choice of his personal nature and times. His purpose of studying two Wangs was to change the vulgar atmosphere of calligraphy in Song and Jin Dynasties by restoring the ancient ways.%赵孟烦在书法史上具有特殊地位。他一方面承续着宋高宗提倡的书宗钟王的复古书学思想，并取得巨大成功；另一方面，他开创的复古书风改变了宋元书法发展的轨迹，成为宋元书学转变的关键人物。在辑录文献并简要分析赵孟颊寓目《兰亭序》善本、《兰亭序》题跋和赵氏临摹本《兰亭序》的基础上，从天性、识见和功夫三方面探析其对二王书法的学习，认为赵盂频一生规模二王，提倡复古书风，是他个人之天性和时代书风的一种合力选择，并以此来达到书法复古以改变宋、金书法丑俗面目的目的，而其本人书法更多具有唐人法度而略输于晋人逸气。
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