作为历史学的分支学科，现代口述史自产生之日起就引起了学术界的关注。舞蹈界关注口述史始于近两年，这是“历史潮流的驱使，也是学科深度发展的必然”。本文通过梳理前人研究成果，经过三个部分的讨论提出对舞蹈口述史内涵的概念和理论研究的初步认识，即舞蹈口述史首先是一种研究方法，它可以记录依赖话语权的传统文献之外的更为鲜活的历史，它通过“细节”把舞蹈的历史完整呈现出来；“口述”舞蹈史部分是对舞蹈口述史内涵的进一步讨论，在这里，我们把舞蹈人的艺术体验和个人经历推到前台，舞蹈的历史由此被赋予新的维度；身体记忆和社会记忆是舞蹈口述史研究中不可规避的问题。舞蹈人的身体记忆是随着个体生命历程的转换通过身体实践而沉淀在身体上的舞蹈记忆，舞蹈人“体化实践”自我价值的同时，传承历史、传播文化并传递社会记忆。%As a sub-discipline of history,modern oral history has drawn attention in the academia since the day of its birth.The attention on the oral history in the field of dance began around two years ago,which is because “this is the driving force of the trend of the history as well as the inevitability of the deep develop-ment of the discipline”.By teasing out the previous research fruits,this paper proposed the concept and pre-liminary understanding of the oral history of dance in three parts.Firstly,oral history of dance is a kind of methodology which can record the vivid history that is beyond the traditional literature that used to be de-pendent on the discourse right.This is because oral history of dance can interpret the history of dance through the details.The narration of the history of dance is a further discussion of the oral history of dance. In this way,the artistic experience and the personal experience of the dancer are put forward and the history of dance is brought to a new height.The body memory and social memory are two inescapable questions in the studies of oral history of dance.The body memory is the dance memory that resides in the body through the bodily practice along with the transformation of the individual life experiences.Along with the “bodily practice”of ego social values,the dancers inherit the history,disseminate culture and spread the social memory.
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