中国古代亭记中“亭踞山巅”的风景体验

摘要

An examination of the Chinese traditional pavilion proses with regard to mountain-top pavilions reveals that the associated landscape experiences are not solely about visual scenes whilst standing high and looking afar.It includes various bodily sensations under the spacetime continuum,cultural identity through the sense of history,spiritual pursuits toward nature,and the sense of responsibility for the people's livelihood.The traditional way of experiencing,acknowledging and understanding the landscape is affected by the continuum between man and nature and between space and time in the Chinese cosmological outlook.Additionally,the contents of "borrowing view" as contained in the landscape experiences is highly consonant with the final chapter of Yuan Ye,which indicates that "borrowing view" would not be considered a particular or specific "design" strategy,but rather a way of enriching life experience and going through life journey in landscapes.%基于中国古代亭记中“亭踞山巅”相关篇目的分析,揭示其风景体验除了“登高眺远”的视觉所观,还包括时空综合条件下的多种身体感知、基于历史感的文化体认、对于物外境域的精神追求,以及心系民生的责任感.中国自然宇宙观中人工与自然之间连续性的认识、时间与空间之间相互依存的关系,决定了传统的感知、认识、理解风景的方式.其风景体验所显示的“借景”内涵可以与《园冶》的“借景”篇充分回应,说明“借景”在本质上并非某种特定的、基于物象的“设计”手段,而可视为在风景经营中丰富生命体验、经历生命旅程的一种途径.