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Reinventing jacquard textile design via the deployment of digitisation technology towards innovative ends.

机译:通过将数字化技术部署到创新目的,重塑提花纺织品设计。

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摘要

For thousands of years, jacquard fabric design has very much been a mechanical reproduction of hand-paintings under a conventional single plane design mode that is often laborious and time-consuming. Today, with the rapid development of digitisation technology, this study was made possible via the deployment of digitisation in jacquard design and production and the expansion of past and present jacquard fabric design theories and methods; and in turn enabled new ways of jacquard textile design and development toward various "novel effects" of jacquard fabrics that were otherwise not possible to realise before. The innovative design mode invented in this study, i.e., layered-combination mode, was inspired originally from the design principle and method of digital image instead. By combining several single layers of fabrics, jacquard fabrics created in this study enabled colour expression at mega-level.;The study is presented in three parts: the first part is establishment of a theoretical framework. Based on the design characteristics of digital image, the design principles and methods for digital jacquard fabric were developed under layered-combination mode from colourless design mode to colourful design mode. The second part is the practical research during which the key technical issues and related optimal solutions of the process of layered-combination design were suggested. Subsequently, a design method of full-colour compound structure was invented for creation of digital jacquard fabrics. The third and last part is the design creation. It follows the innovative design principles and methods of digital jacquard fabric so derived under the aforementioned layered-combination mode. By applying full-colour compound structure design, not only were the designs created able to simulate black-and-white and multicoloured digital images, but also were they able to innovate new visual effects, e.g., figured shot-effect and figured double-face fabrics.;The thrust of this research lies in the establishment of new design concept, principles and methods of jacquard fabric, by which the technical and creative scope of jacquard textile creation are expanded with the possibility of creating a range of novel jacquard effects that are otherwise not possible to be realised before.
机译:几千年来,提花织物的设计一直是在传统的单平面设计模式下对手工绘画的机械复制,这通常是费力且费时的。如今,随着数字化技术的飞速发展,通过在提花设计和生产中部署数字化以及扩展过去和现在的提花织物设计理论和方法,使这项研究成为可能。反过来又实现了提花织物设计和开发的新方式,以实现提花织物的各种“新颖效果”,而这在以前是不可能实现的。本研究中发明的创新设计模式,即分层组合模式,最初是从数字图像的设计原理和方法中得到启发的。通过将几层单层织物组合在一起,本研究中创建的提花织物使色彩表达达到了超级层次。该研究分为三个部分:第一部分是建立理论框架。根据数字图像的设计特点,从无色设计模式到彩色设计模式,在分层组合模式下开发了数字提花织物的设计原理和方法。第二部分是实践研究,提出了分层组合设计过程中的关键技术问题和相关的最优方案。随后,发明了一种全色复合结构的设计方法,以生产数字提花织物。第三部分也是最后一部分是设计创作。它遵循在上述分层组合模式下得出的数字提花织物的创新设计原理和方法。通过应用全色复合结构设计,不仅可以创建模拟黑白和彩色数字图像的设计,而且还可以创新新的视觉效果,例如计算出的拍摄效果和计算出的双面效果这项研究的重点在于建立提花织物的新设计概念,原理和方法,从而扩大提花织物创作的技术和创意范围,并有可能创造出一系列新颖的提花效果。否则以前不可能实现。

著录项

  • 作者

    Jiu, Zhou.;

  • 作者单位

    Hong Kong Polytechnic University (Hong Kong).;

  • 授予单位 Hong Kong Polytechnic University (Hong Kong).;
  • 学科 Textile Technology.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 192 p.
  • 总页数 192
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 轻工业、手工业;
  • 关键词

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