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Rethinking the Expediency of the Regional Flow of Pop Culture: The Case of the Korean Wave in Japan

机译:重新思考流行文化的区域性流动性的便利性:以日本的韩流为例

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摘要

This dissertation study aims to identify the role of national markets in the regional flow of pop culture, focusing on how national markets react to foreign pop cultures and take advantage of them. Taking the international popularity of South Korean pop culture, called "Korean Wave," or "Hallyu" in Japan as the case, this study analyzes the discourse of Japan's mainstream media from 2009 to 2016 in order to find out the national market's role and desire behind the regional and transnational flow of pop culture.;The findings show that the Japanese media attended to the benefits coming from the boom. In political dimension, the Korean Wave was regarded as significant as a symbol of cultural exchange and mutual understandings. The two-way flow of culture was considered as necessary, and Japanese politicians, celebrities, and fans reproduced the traditional image of bridges between Japan and Korea. Paying attention to the economic effects, the Japanese media took advantage of the Korean Wave contents' advertising effect as product placement. While the Japanese domestic economy and local governments benefited from the Korean Wave contents for town revitalization and new business opportunities, the product placement effect in the international market was viewed as a threat to the international presence of Japan and its economy. In terms of the pop culture market, although the Japanese media and pop culture industry continuously introduced and promoted Korean Wave contents, with the desire to have the superiority of the Japanese market confirmed hidden in the background.;After all, the Korean Wave in Japan was presented and promoted within the Japanese system operating its pop culture industry and based on the contributions that the Korean pop culture made to the Japanese society. When such values do not exist any more, there is little need for the Japanese media to report and promote the Korean Wave. The desire of the larger markets such as Japan suggests that the Korean Wave phenomenon, which has been regarded to have complicated existing power structures, may represent a new form in which the status quo is reproduced in a different way.
机译:本论文的研究旨在确定民族市场在流行文化区域流动中的作用,重点是民族市场如何应对外国流行文化并加以利用。本研究以在日本称为“韩流”或“ Hallyu”的韩国流行文化在国际上的流行情况为例,分析了2009年至2016年日本主流媒体的话语,以了解其在全国市场中的作用和愿望。研究结果表明,日本媒体关注了繁荣带来的好处。在政治层面上,韩流被视为文化交流和相互理解的重要象征。双向文化交流被认为是必要的,日本政客,名人和歌迷再现了日本和韩国之间桥梁的传统形象。考虑到经济影响,日本媒体利用韩流内容的广告效果作为产品展示位置。尽管日本国内经济和地方政府从振兴韩流的内容中受益于城镇振兴和新的商机,但产品在国际市场上的影响被视为对日本及其经济的国际存在的威胁。在流行文化市场方面,尽管日本媒体和流行文化产业不断引入和推广韩流文化的内容,但希望将日本市场的优势隐藏在背景中;毕竟,韩流在日本在韩国流行文化对日本社会的贡献的基础上,在经营其流行文化产业的日本体系中进行了介绍和推广。当不再存在这样的价值观时,日本媒体就几乎不需要报道和宣传韩流。日本等较大市场的需求表明,被认为具有复杂现有权力结构的韩流现象可能代表一种新形式,其中以不同方式再现了现状。

著录项

  • 作者

    Kwak, Sunyoung.;

  • 作者单位

    University of Colorado at Boulder.;

  • 授予单位 University of Colorado at Boulder.;
  • 学科 Communication.
  • 学位 Ph.D.
  • 年度 2017
  • 页码 207 p.
  • 总页数 207
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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