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'Through Marriage Marvelously Blended': Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555.

机译:“通婚完美融合”:1384至1555年荷兰勃艮第人和哈布斯堡王朝的婚姻仪式的视觉表现。

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摘要

The Burgundian and Habsburg Netherlands constitute an interesting case for studying the function and symbolism of matrimony. This period marked an active time of change in the Low Countries: there was ongoing antagonism between the dukes of Burgundy and their Dutch subjects; shifts in the mercantile industry caused economic flux; the Reformation sparked religious tension; and the rapid expansion of the art market created a Europe-wide demand for Netherlandish fine and decorative art. In the face of upheaval, the act of marriage and the ideology surrounding it remained relatively consistent. Betrothal and marriage ceremonies in the Low Countries were quite formal compared to those in southern Europe; the quintessential northern ceremony customarily involved a priest, witnesses, and symbolic hand gestures. The images discussed in this thesis overwhelmingly reflect the importance of ritualistic behaviour in the late medieval Netherlands; the majority of them depict proper in facie ecclesiae unions, meaning "in the face of the Church." These images of ideal marriage rituals were most commonly commissioned by members of the court or Church, and were used primarily to display wealth and power, to enhance the pageantry of court life, to draw connections with the mythic or biblical past, to promote canon law, and to reinforce cultural values.;The fifty-three images studied in this thesis not only relate to discourses on medieval marriage and art history; they also fit into the larger narratives surrounding civic authority, religious tension, economic change, and social mores. In this thesis, I use an interdisciplinary approach to reveal the main functions of matrimonial ceremonies in Early Netherlandish art, and to examine the gap between image and reality. This thesis contributes to a better understanding of ritual and visual expression in the Burgundian and Habsburg Netherlands.
机译:荷兰勃艮第人和哈布斯堡王朝是研究婚姻的功能和象征意义的有趣案例。这一时期标志着低地国家变化的活跃时期:勃艮第公爵与其荷兰臣民之间一直存在对抗。商业行业的变化引起了经济动荡;改革引发了宗教紧张局势;随着艺术品市场的迅速发展,欧洲各地对荷兰的精美装饰艺术也产生了需求。面对动荡,婚姻行为及其周围的意识形态保持相对一致。与南欧相比,低地国家的订婚和结婚仪式相当正式。北部典型的典型仪式通常由牧师,目击者和象征性手势组成。本文讨论的图像绝大多数反映了中世纪晚期荷兰的礼仪行为的重要性。他们中的大多数描绘了正确的教会联合,意思是“面对教会”。这些理想的婚姻仪式图像通常是由法院或教会成员委托的,主要用于展示财富和权力,增强法庭生活的权威性,与神话或圣经的过去建立联系,促进经典法典。本论文研究的五十三幅图像不仅与中世纪的婚姻和艺术史有关。它们也适用于围绕公民权威,宗教紧张局势,经济变化和社会风气的较大叙事。在本文中,我采用跨学科的方法来揭示荷兰早期艺术中婚姻仪式的主要功能,并探讨图像与现实之间的差距。该论文有助于更好地理解荷兰勃艮第人和哈布斯堡王朝的仪式和视觉表达。

著录项

  • 作者

    Mitchell, Laura.;

  • 作者单位

    University of Ottawa (Canada).;

  • 授予单位 University of Ottawa (Canada).;
  • 学科 History Medieval.;Canon Law.;History European.;Religion History of.
  • 学位 M.A.
  • 年度 2014
  • 页码 172 p.
  • 总页数 172
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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