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Articulations in the Caribbean Diaspora: London's Carnival Arts Scene and the Cultural Politics of Space, Place, and Value

机译:加勒比侨民的话语:伦敦的狂欢节艺术场景与空间,地点和价值的文化政治

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摘要

This dissertation is an ethnomusicological study of value and diaspora, centered on the cultural production of carnival in one of the Caribbean's largest overseas communities: London. While acknowledging the significant economic contributions of the Notting Hill Carnival street festival to the British economy, which generates an estimated £100M during its annual production, the principal aim of this dissertation is to illustrate how non-economic forms of value are produced through carnival that are (or may be at times) external to its market value. This is done by integrating anthropological theories of value with my ethnography of London's carnival arts scene to better understand how music, cultural practices, festival performances, and even social spaces have come to acquire significance and value among black Britons of Caribbean heritage in particularly meaningful ways. Additionally, considering that Caribbean Britons are an underrepresented, dispossessed, and historically exploited social group, this dissertation argues that attention must be given to the specific ways that structural inequality and asymmetrical power relations in Britain impact the lives of racialized peoples, which also affects how value and meaning are assigned to particular things, activities, spaces, and places by members of marginalized groups. Drawing on 18 months of field research in London between 2013 and 2017, this dissertation illustrates: 1) how carnival art, music, and festival performances in London have been mobilized as a community-oriented, space- and place-making initiative for marginalized black groups in post-WWII Britain; 2) how London-based carnival arts practices help to facilitate sociocultural interconnections between disparate communities within the African/Caribbean diasporas; and 3) how distinct kinds of value (economic, social, cultural, symbolic, and political) are produced and disseminated through carnival-related activities in London.
机译:本论文是对价值和散居人口的人种音乐学研究,其重点是加勒比海最大的海外社区之一伦敦的狂欢节文化生产。在承认诺丁山狂欢节街头节对英国经济的巨大经济贡献的同时,该节每年产生约1亿英镑的收入,本论文的主要目的是说明如何通过狂欢节来产生非经济价值形式在(或可能有时)不在其市场价值之内。这是通过将人类学的价值理论与我对伦敦狂欢节艺术的人种志研究相结合而完成的,以更好地理解音乐,文化习俗,节日表演,甚至社会空间如何以特别有意义的方式在加勒比海黑人不列颠哥伦比亚人中获得意义和价值。 。此外,考虑到加勒比海不列颠人是代表性不足,被剥夺和历史剥削的社会群体,因此本文认为,必须关注英国的结构性不平等和不对称权力关系影响种族化人民生活的具体方式,这也影响到如何价值和意义是由边缘化群体的成员分配给特定的事物,活动,空间和场所的。通过2013年至2017年在伦敦进行的为期18个月的实地研究,本文说明:1)伦敦的狂欢节艺术,音乐和节日表演是如何作为边缘社区黑人的社区导向,空间和场所营造计划而动员的第二次世界大战后英国的团体; 2)伦敦的狂欢节艺术实践如何帮助促进非洲/加勒比侨民中不同社区之间的社会文化联系; 3)如何通过与狂欢节相关的活动在伦敦产生和传播不同的价值(经济,社会,文化,象征和政治)。

著录项

  • 作者

    Harris, Deonte.;

  • 作者单位

    University of California, Los Angeles.;

  • 授予单位 University of California, Los Angeles.;
  • 学科 Music.;Caribbean studies.;Black studies.
  • 学位 Ph.D.
  • 年度 2018
  • 页码 302 p.
  • 总页数 302
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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