The queer art & rhetoric of consent: Theories, practices, pedagogies.

机译：奇怪的艺术和同意的修辞：理论，实践，教学法。

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The Queer Art & Rhetoric of Consent is a multi-genre collection of nonfiction essays on consent in feminist and queer culture and communities. Through storytelling, grounded in LGBTQ and feminist rhetorics, this project examines the elements of consent across contexts (personal, professional, political). This inquiry into consent makes use of many of the possible voices in nonfiction essays---theoretical, personal, lyric, place-based---attempting to get at the heart of the matter of consent. I draw on community-based theories and histories of consent to position consent as a set of teachable practices for creating more respectful, reciprocal, and accountable relationships. My theoretical framework for understanding consent includes LGBTQ and feminist rhetorics, and community-based theories and pedagogies. I use scholarship, archival research, and literature (essays, memoir, poetry) to develop rhetorical theories of consent that extend popular theories of sexual consent as "no means no" or "yes means yes," even extending beyond sexual contexts. I explore the tensions between pleasure and danger, which have confounded feminist and LGBTQ communities, causing conflict over differing ideas about the potential of consent. To do so, I trace consent through cultural histories, reflect on the elements of consent in my personal life, and weigh in on debates about consent in higher education and LGBTQ community spaces. Out of these theoretical essays, I develop "Doing it All the Time: A Queer Consent Workshop.";Consent has most often been theorized in terms of its relationship to the element of danger (as in sexual assault policies, or the processes of institutional review and informed consent in research). However, consent actually has a multitude of elements, each of which deserve consideration in developing theories and histories of consent. Some of the elements of consent examined in this collection include: boundaries, desire, being present, power, pleasure, danger, disclosure, risk, and access. My findings introduce complexities to community-based theories and histories of consent, developing consent beyond the sexual elements, and inviting people to understand consent as a set of practices we can be doing all the time. Examining consent across multiple contexts reveals consent to be more than a negotiation among individuals being aware of their power, privilege, and desires, and deciding to say yes or no to sex. This project also has implications for community-based research and teaching, in terms of how academics approach consent in research and teaching relationships. Examining consent in feminist and LGBTQ community spaces means tracing theories and histories of consent in the Sex Wars, which are largely unfamiliar to scholars in Rhetoric and Writing Studies. This project invites Rhetoric and Writing Studies to take queer theories and histories of consent into account, respecting and valuing them as central.

机译：同性恋者的古怪艺术与修辞是一本多小说类的非小说类文章的征集，涉及女权主义与同性恋文化和社区中的同意。通过以LGBTQ和女权主义修辞为基础的讲故事，该项目研究了跨情境（个人，专业，政治）的同意要素。这种对同意的询问利用了非小说类文章中的许多可能的声音-理论，个人，抒情，基于场所的-试图成为同意问题的核心。我将基于社区的理论和同意的历史作为立场的同意，将其作为建立更尊重，对等和负责任的关系的一组可教的实践。我理解同意的理论框架包括LGBTQ和女权主义修辞学，以及基于社区的理论和教学法。我使用奖学金，档案研究和文学（散文，回忆录，诗歌）来发展同意的修辞理论，这些理论将流行的性同意理论扩展为“不意味着不”或“是意味着是”，甚至延伸到性背景之外。我探讨了享乐与危险之间的紧张关系，这种紧张关系使女权主义者和LGBTQ社区感到困惑，在关于同意可能性的不同观念上引发了冲突。为此，我通过文化历史追溯了同意，反思了我个人生活中的同意要素，并就高等教育和LGBTQ社区中关于同意的辩论进行了讨论。在这些理论论文中，我开发了“一直做：一个酷儿同意研讨会”；大多数情况下，同意是根据其与危险因素的关系（如性侵犯政策或机构程序）进行理论化的进行研究并获得知情同意）。但是，同意书实际上具有许多要素，在发展同意书的理论和历史时，每个要素都应予以考虑。此合集中检查的某些同意元素包括：界限，欲望，存在，权力，愉悦，危险，披露，风险和获取。我的发现给基于社区的同意理论和历史带来了复杂性，超越了性因素发展了同意，并邀请人们将同意理解为我们可以一直做的一系列实践。在多种情况下检查同意表明，同意不仅仅是个人之间的协商，他们意识到自己的力量，特权和欲望，并决定对性说是或否。就学者如何在研究和教学关系中达成同意的方式而言，该项目也对基于社区的研究和教学产生影响。在女权主义者和LGBTQ社区中检查同意书意味着在性战争中追踪同意的理论和历史，这在修辞学和写作研究中基本上是陌生的。该项目邀请修辞学和写作研究考虑同质的理论和历史，尊重和重视它们作为中心。

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作者
Livingston, Kathleen Ann.;
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Michigan State University.;

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授予单位 Michigan State University.;
学科 Rhetoric.;Pedagogy.;LGBTQ studies.
学位 Ph.D.
年度 2015
页码 261 p.
总页数 261
原文格式 PDF
正文语种 eng
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专利

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机译：同意时代与酷儿理论的终结
2. Feminist Theory and Queer Theory: Implications for HRD Research and Practice [J] . Julie Gedro, Robert C. Mizzi Advances in developing human resources . 2014,第4期

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3. Toxic Identification: #Twinks4Trump and the Homonationalist Rearticulation of Queer Vernacular Rhetoric [J] . Hatfield Joe Edward Communication, culture & critique . 2018,第1期

机译：有毒物质的识别：＃Twinks4Trump和同性恋民族修辞学的同民族主义重新定义
4. Queer(ing) HCI: Moving Forward in Theory and Practice [C] . Katta Spiel, Ashley Marie Walker, Michael A. DeVito, ACM Conference on Human Factors in Computing Systems . 2019

机译：酷儿（ING）HCI：在理论和实践中向前发展
5. Queer Practices, Queer Rhetoric, Queer Technologies: Studies of Digital Performativity in Gendered Network Culture [D] . Jackson, Gerald. 2017

机译：酷儿实践，酷儿修辞学，酷儿技术：性别网络文化中的数字性能研究
6. Queer Theory and Biomedical Practice: The Biomedicalization of Sexuality/The Cultural Politics of Biomedicine [O] . William J. Spurlin -1

机译：酷儿理论与生物医学实践：性的生物医学化/生物医学的文化政治
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(ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. 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Gustav and KnightS. (eds), British Industrial Fictions , University of Wales Press, 2000, pp. viii + 212, £14.99 pb.; BalchJack S., Lamps at High Noon , University of Illinois Press, 2000, pp. xl + 404, $19.45 pb.; ConroyJack, A World to Win , University of Illinois Press, 2000, pp. xxxv + 348, $17.95 pb.GagnierRegenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society , University of Chicago Press, 2000, pp. 352, £10.50 pb. [O] . Paul Hyland, R. C. Richardson, Ivan Roots, 2001

机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

The queer art & rhetoric of consent: Theories, practices, pedagogies.

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