首页> 外文学位 >The influence of Chinese folk and instrumental music on Tcherepnin's 'Chinese Mikrokosmos,' a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.
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The influence of Chinese folk and instrumental music on Tcherepnin's 'Chinese Mikrokosmos,' a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.

机译:中国民间乐器音乐对切切普宁的“中国独奏音乐会”的演讲独奏以及J. S. Bach,W。A. Mozart,C。Debussy,S。Rachmaninoff,D。Shostakovich等精选作品的三首独奏会的影响。

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摘要

One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the influence of Eastern culture. Inspired by this theory, Tcherepnin not only extricated himself from his own compositional techniques, but also intensified his search for musical folklore. In April, 1934, he began a world tour which was to include China, Japan, Singapore, the Philippines, Egypt, and Palestine, to search for "musical folklore." He became so fascinated with the culture of ancient China that he cancelled the rest of his arrangements, and, except for visits to Japan, he remained in China for three years, until the outbreak of the Sino-Japanese War in July, 1937.;During his three-year stay in China, Tcherepnin was greatly attracted to Chinese culture, and as a result, Chinese culture influenced his music to a significant degree. This essay examines the manner in which Tcherepnin's music was influenced by his experiences in China.;In order to precisely analyze the close affiliation between Chinese musical elements and Tcherepnin's "Chinese Mikrokosmos," many original Chinese sources proved indispensable in this study. These sources include Chinese folk music, theater music, instrumental music, religious music, and Chinese periodicals and newspapers that reported Tcherepnin's activities in China (1934-7).;The organization of this dissertation as follows: Chapter I provides a brief biographical sketch of Tcherepnin, traces his activities in China, and introduces one of his greatest "Chinese" compositions, "Chinese Mikrokosmos," which represents the fruits of his labors to scrutinize and absorb Chinese musical language. Chapters II and III are devoted to exploring how Chinese folk and instrumental music inspired Tcherepnin's "Chinese Mikrokosmos." Chapter IV summarizes this study.
机译:俄裔作曲家兼钢琴家亚历山大·切雷普宁(Alexander Tcherepnin,1899年至1977年)最重要的构成理论之一是欧亚意识形态,这是东方文化的影响的结果。受到这一理论的启发,切普列宁不仅从自己的作曲技巧中脱颖而出,而且还加大了对音乐民俗的追求。 1934年4月,他开始了环球之旅,其中包括中国,日本,新加坡,菲律宾,埃及和巴勒斯坦,以寻找“音乐民俗”。他对中国古代文化非常着迷,以至于取消了其余的安排,除了访问日本,他在中国呆了三年,直到1937年7月抗日战争爆发。切雷普宁在中国的三年期间,极大地吸引了中国文化,因此,中国文化在很大程度上影响了他的音乐。本文考察了切雷普宁的音乐在中国的经历对他的音乐产生的影响。为了准确地分析中国音乐元素与切普雷宁的“中国Mikrokosmos”之间的紧密联系,许多原始的中国文献被证明是不可或缺的。这些资料包括中国民间音乐,戏剧音乐,器乐音乐,宗教音乐,以及报道切尔珀宁在中国活动(1934-7)的中国期刊和报纸。本论文的组织结构如下:第一章简要概述了切尔珀宁在中国的活动。切雷普宁(Tcherepnin)追溯了他在中国的活动,并介绍了他最伟大的“中国”乐曲之一“ Chinese Mikrokosmos”,代表了他研究和吸收中国音乐语言的成果。第二章和第三章专门探讨中国民间音乐和器乐如何激发切切普宁的“中国小提琴音乐”。第四章总结了这项研究。

著录项

  • 作者

    Luo, Yeou-Huey.;

  • 作者单位

    University of North Texas.;

  • 授予单位 University of North Texas.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 1988
  • 页码 117 p.
  • 总页数 117
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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