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A philosophical hermeneutic of history as genre in medieval and Renaissance literature.

机译：一种作为中世纪和文艺复兴时期文学体裁的历史的哲学解释学。

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This study attempts to determine the essence of history as a literary genre by exploring its meaning from perspectives inspired by Hans-Georg Gadamer's Truth and Method. The analysis is predicated on the assumption that the meaning of this genre is to be found in the way that works considered historical are understood, rather than in some quality of the texts themselves such as theme or style. By assuming that genre has an implicit connection to understanding as a mode of man's being, this study attempts to forge a more direct relationship between the interpretation of literature and the interpretation of the human condition, and works towards the view that literature is a source of practical knowledge.;As a result of this study, intention, meaning, and truth are substantiated as the three constitutive elements of any genre, factuality, possibility, and historicality are substantiated as constitutive of the genre of history, and a new direction is projected for the exploration of other literary genres.;Specifically, this study attempts to substantiate the thesis that the genre of history presumes in all cases that such a work is understood as having to do with facts about what has been, that these facts suggest possible ways of being for any particular interpreter, and that it is through the realization of these possible ways of being that the truth of a work emerges in the life of an interpreter. This thesis is developed in three parts. In the first part the validity of assuming that the foundation of historical genre must be found in historical understanding is explored. The second part examines the claim that the genre of history has to do with facts. The third part argues that these facts open up possibilities for the interpreter's life. The conclusion examines truth as that which emerges through this relationship between facts and possibilities. The claims in the second and third parts of this study are supported through an analysis of the assumptions that have been central to the historical interpretation of two works of English literature: The Battle of Maldon and Richard II.

机译：这项研究试图通过从汉斯·乔治·加达默尔（Hans-Georg Gadamer）的《真理与方法》（Truth and Method）启发下探究其意义，来确定历史作为一种文学体裁的实质。该分析是基于这样一种假设而进行的：该类型的含义应以理解历史作品的方式找到，而不是以文本本身的某些质量（例如主题或风格）为基础。通过假设体裁与作为人类存在方式的理解有隐含的联系，本研究试图在文学的解释和人类状况的解释之间建立更直接的联系，并努力认为文学是人类的一种来源。研究的结果是，意图，意义和真理被证实为任何体裁的三个构成要素，事实，可能性和历史性被证实为历史体裁的构成要素，并提出了新的方向具体来说，本研究试图证实以下论点：在所有情况下，历史体裁都假定这样的作品被理解为与事实有关，这些事实暗示了可能的方式对于任何特定的口译员而言，正是通过这些可能的存在方式的实现，作品的真相才出现在口译员的生活。本文分为三个部分。在第一部分中，探讨了在历史认识中必须找到历史体裁的基础的有效性。第二部分考察了历史体裁与事实有关的主张。第三部分认为，这些事实为口译员的生活打开了可能性。结论检验了事实与可能性之间这种关系所产生的真理。本研究的第二部分和第三部分中的主张是通过对以下假设进行的分析来支持的：这些假设对于英国文学两部著作的历史解释至关重要：《马尔登之战》和《理查德二世》。

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作者
Makus, Robert Martin.;
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作者单位

The Pennsylvania State University.;

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授予单位 The Pennsylvania State University.;
学科 Philosophy.;English literature.;Medieval literature.
学位 Ph.D.
年度 1989
页码 334 p.
总页数 334
原文格式 PDF
正文语种 eng
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机译：约翰·克哈尔。米尔顿的剑桥拉丁语：在1625年至1632年的流派表演。 Pp。 xii + 306（中世纪和文艺复兴时期的文字和研究289）。坦佩AZ：亚利桑那中世纪和文艺复兴研究中心，2005年。布，32美元，￡ 24。
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机译：《文化改革：文学史上的中世纪与文艺复兴》，编辑。布莱恩·卡明斯和詹姆斯·辛普森
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机译：中世纪的诠释学教学法：在几种教学类型中进行有关符号的教学。
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机译：Salernitan问题。中世纪和文艺复兴时期问题文学史导论
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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

A philosophical hermeneutic of history as genre in medieval and Renaissance literature.

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