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Battle hymns: The rhetorical strategies of twentieth century American war novels.

机译:赞美诗:二十世纪美国战争小说的修辞策略。

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摘要

This examination of twentieth-century American war novels has two primary goals. The first is to distinguish a "rhetorical" analysis from a "literary" or "stylistic" analysis. This is accomplished by examining the "rhetorical strategies" commonly employed by twentieth-century novelists. Edwin Black, in Rhetorical Criticism: A Study in Method, explains that although rhetorical strategies refer to the characteristics of discourse, relatively little is known about them (134-136). The specific rhetorical strategies analyzed in this work include: the authors' use of lexicon, dialogue/dialect, development of the hero, authorial intent, time sequence, treatment of women, and humor. Language itself is the consistent underlying focus of this study.;The second goal of this dissertation is to establish that the eight war novels examined represent, in microcosm, the twentieth-century American novel genre as a whole. Two novels from each of the major twentieth-century American wars are analyzed. To unify the authors of a given war in terms of cultural, social, and political climate, each novel must have been published within ten years of the specific war's ending date. In order to thoroughly explore the effect a certain war has on its contemporary war literature, of the two novels analyzed for each conflict, one will take place in a combat setting and the other in a noncombatant zone. This variance will allow for greater diversity of the war novel genre as a whole while at the same time continuing to limit this study to war novels written within a certain time period. Validated by the scholarly attention and approval given to them, the novels included in this work are: Three Soldiers, by John Dos Passos, and The Sun Also Rises, by Ernest Hemingway (World War I); The Naked and the Dead, by Norman Mailer, and The Man in the Gray Flannel Suit, by Sloan Wilson (World War II); The Bridges at Toko-Ri, by James Michener, and Court Martial, by Jack Ehrlich (Korean War); Going After Cacciato, by Tim O'Brien, and In Country, by Bobbi Ann Mason (Vietnam War). Taken together, I believe these books reflect the trends and evolutions of the American novel genre in this century.
机译:对二十世纪美国战争小说的考察有两个主要目标。第一个是将“修辞”分析与“文学”或“文体”分析区分开。这是通过研究20世纪小说家普遍采用的“修辞策略”来实现的。埃德温·布莱克(Edwin Black)在“修辞批评:方法研究”中解释说,尽管修辞策略是指话语的特征,但对它们的了解相对较少(134-136)。在这项工作中分析的具体修辞策略包括:作者对词典的使用,对话/方言,英雄的发展,作者的意图,时间顺序,对妇女的态度和幽默。语言本身是本研究的始终如一的潜在重点。本论文的第二个目标是确定所考察的八种战争小说在微观上代表了整个二十世纪的美国小说类型。分析了二十世纪美国各大战争中的两本小说。为了在文化,社会和政治气候方面统一一场战争的作者,每部小说都必须在特定战争结束日期的十年内出版。为了彻底探讨某种战争对其当代战争文学的影响,针对每种冲突分析的两本小说,其中一部将在战斗环境中发生,另一部将在非战斗区域中发生。这种差异将使整个战争小说类型具有更大的多样性,同时又继续将这项研究限制在一定时期内撰写的战争小说。经学者的关注和认可,包括在其中的这些小说是:约翰·多斯·帕索斯(John Dos Passos)的《三士兵》和欧内斯特·海明威(Ernest Hemingway)的《太阳升起》(第一次世界大战);诺曼·梅勒(Norman Mailer)的《裸与死》(Naked and Dead)和斯隆·威尔逊(Sloan Wilson)撰写的《穿着灰色法兰绒西装的男人》(第二次世界大战);詹姆斯·米切纳(James Michener)撰写的《托科里河上的桥梁》和杰克·埃利希(Jack Ehrlich)撰写的《军事法庭》(Court Martial)(朝鲜战争);蒂姆·奥布赖恩(Tim O'Brien)的《追寻卡恰托(Cacciato)》和波比·安·梅森(Bobbi Ann Mason)的《乡村》(越南)综上所述,我相信这些书反映了本世纪美国小说类型的趋势和演变。

著录项

  • 作者

    Brown, Brenda Gabioud.;

  • 作者单位

    Texas Christian University.;

  • 授予单位 Texas Christian University.;
  • 学科 American Studies.;Literature American.
  • 学位 Ph.D.
  • 年度 1991
  • 页码 244 p.
  • 总页数 244
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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