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Interpreting modern China: The rise and fall of the Cultural Revolution in China, 1966-1976.

机译:解读现代中国:1966-1976年中国文化大革命的兴衰。

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摘要

The dissertation applies the cultural perspective to the study of Chinese Marxism and the Cultural Revolution in China 1966-76. As the modernity project, the Marxist orientation in Chinese society is described as a modernity response to the collapse of the transcendental order in traditional Chinese society. Its impact is identified as the modern, transcendental criteria--rationality, progress, and emancipation. As an historical phenomenon, Chinese Communism has been established by a process in which Marxism was incorporated into Chinese modern social thought and organization. Large-scale mass participation in politics such as the revolution acted as the cultural agent in this historical process, transforming Marxist criteria into a transcendental order. In reintegrating Chinese culture, Marxism constituted a particular form of sociality--a modern structure of authority. The social and cultural tensions that engendered the Cultural Revolution were embedded in a culture in which Marxist concepts of class, class struggle, and revolution were significant in social communication and interaction. In terms of its cultural origins and mass basis, the Cultural Revolution was a collective representation of social and cultural tensions. It was characterized by a fanatic ethos, collective violence and turbulent actions. On the other hand, it also appeared as a cultural project towards rebuilding a "new Man." With the large-scale withdrawal from politics, however, exhausted was Marxism's capacity to explain meanings of life with its transcendental criteria. Chinese communist politics, characterized by class struggle, ideological mobilization, large participation, etc., appeared as a mode of social control and a particular relation of domination and subordination. The dissertation concludes that the end of the Cultural Revolution signified a Marxist crisis and the closing of the communist era. From the investigation of Chinese communism in the past-revolutionary period, emerged the postmodern mode of history and society, as opposed to communist power as the transcendental order and as the authoritative interpretation of Marxism.
机译:本文将文化视角应用于中国马克思主义与1966-76年中国文化大革命的研究。作为现代性工程,马克思主义在中国社会的定位被描述为对传统中国社会先验秩序崩溃的现代性反应。它的影响被确定为现代,先验的标准-理性,进步和解放。作为一种历史现象,中国共产主义是通过将马克思主义纳入中国现代社会思想和组织的过程而建立的。在这一历史过程中,大规模的政治参与(例如革命)充当了文化主体,将马克思主义的标准转化为先验秩序。在重新融合中国文化的过程中,马克思主义构成了一种特殊的社会形式-一种现代的权威结构。引发文化大革命的社会和文化张力被嵌入一种文化中,在这种文化中,马克思主义的阶级,阶级斗争和革命观念在社会交流和互动中具有重要意义。从文化起源和群众基础的角度来看,“文化大革命”是社会和文化紧张局势的集体代表。它的特点是狂热的精神,集体暴力和动荡的行为。另一方面,它也表现为旨在重建“新人”的文化项目。然而,随着大规模撤出政治,马克思主义用其超越性的标准解释生命意义的能力已疲惫不堪。以阶级斗争,意识形态动员,广泛参与等为特征的中国共产主义政治,是社会控制的一种模式,是一种统治与从属的特殊关系。论文的结论是,文化大革命的结束标志着马克思主义的危机和共产主义时代的结束。通过对过去革命时期中国共产主义的考察,出现了后现代的历史和社会模式,与作为先验秩序和马克思主义权威解释的共产主义权力相对立。

著录项

  • 作者

    Xu, Xun.;

  • 作者单位

    State University of New York at Albany.;

  • 授予单位 State University of New York at Albany.;
  • 学科 History Asia Australia and Oceania.;Sociology Social Structure and Development.;Sociology General.
  • 学位 Ph.D.
  • 年度 1995
  • 页码 357 p.
  • 总页数 357
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:49:34

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