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The loss of the female reader: The representation of the female reader in the early eighteenth-century British novel.

机译:女读者的流失:18世纪早期英国小说中女读者的代表。

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摘要

This dissertation examines the representation of the female reader in the early eighteenth-century British novel. It argues that the progress of the novel charts the disappearance of the female reader and the emergence of a generic, essentially male, reader. Moreover, it suggests that Samuel Richardson plays a pivotal role in this transition. Before Clarissa, the female addressee largely served as a sympathetic audience whose express partiality toward the represented female writer enabled her free, and rather scandalous, self-expression. Yet Richardson introduces a much less sympathetic female reader, one who serves to regulate rather than sanction the emotions and expressions of the represented female writer. Indeed, after Clarissa, the sympathetic female reader will cease to be the primary audience of the heroine's tale; instead she will be replaced by a reader sympathetic to the heroine 's story, yet too removed to be considered overly subjective.;In fact, in later works by women writers such as Charlotte Lennox and Mary Wollstonecraft, the female relationships represented as most sustaining and beneficial to both parties will be those that operate across differences in class or through the auspices of a much-devoted mother. Both of these relationships will be viewed as largely regulatory: they will represent the benevolent exercise of a sympathy which assumes the moral superiority of the bestower. Female relationships will become newly aligned with asymmetrical and hierarchical arrangements. The sympathetic female reader will, in effect, be lost.;Moreover, this dissertation argues that this change in the representation of the female reader has significant consequences for the structure of contemporary sympathetic alliances between women, including attempts to forge politically and personally powerful connections with other women. If the sympathetic female reader is largely written out of a history of reading, then feminist attempts to posit a sympathetic female community are likely to end either in frustration or to reproduce the hierarchical male paradigms which successfully replaced this earlier structure of female alliance.
机译:本文研究了十八世纪初英国小说中女性读者的表现形式。它认为,小说的发展趋势表明女性读者的消失和普通的,基本上是男性的读者的出现。此外,这表明塞缪尔·理查森(Samuel Richardson)在这一转变中起着举足轻重的作用。在克拉丽莎(Clarissa)之前,女收件人主要是同情的听众,他们对代理女作家的明显偏爱使她自由自在,甚至是丑陋的自我表达。理查森(Richardson)却介绍了一种不太同情的女性读者,该女性读者起着调节而不是认可代表女性作家的情感和表情的作用。确实,在克拉丽莎(Clarissa)之后,富有同情心的女性读者将不再是女主人公故事的主要受众;取而代之的是,她将被对女主人公故事充满同情心的读者所取代,但她又被移走了,以至于不能被认为过于主观。对双方都有利的是那些在阶级差异上或在一位虔诚母亲的主持下运作的公司。这两种关系将在很大程度上被视为监管性的:它们将代表同情心的善意运用,这种同情心假定赠与者的道德优越。女性关系将与不对称和等级安排重新适应。实际上,同情的女性读者会迷失。;此外,本文认为,女性读者代表的这种变化对当代女性之间的同情联盟的结构具有重大影响,包括试图建立政治上和个人上强大的联系和其他女人在一起。如果有同情心的女性读者很大程度上是从阅读历史中写出来的,那么女权主义者试图建立一个有同情心的女性社区的尝试很可能以无奈而告终,或者重现成功地取代了早期女性联盟结构的等级制男性范式。

著录项

  • 作者

    Richards, Cynthia Denise.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 English literature.;Womens studies.
  • 学位 Ph.D.
  • 年度 1996
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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