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>Word and image in Dostoevsky's 'The Brothers Karamazov': From an analysis of the dialectic in the novel to an interpretation of Dostoevsky's confrontation with Hans Holbein the Younger's 'The Body of the Dead Christ in the Tomb'.
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Word and image in Dostoevsky's 'The Brothers Karamazov': From an analysis of the dialectic in the novel to an interpretation of Dostoevsky's confrontation with Hans Holbein the Younger's 'The Body of the Dead Christ in the Tomb'.
In this thesis, a dialectical approach that responds to the dialectic in The Brothers Karamazov is developed. This dialectical approach is inspired by and situates itself in relation to Mikhail Bakhtin's Problems of Dostoevsky's Poetics, Theodor W. Adorno's Negative Dialectics, and Max Horkheimer's and Adorno's Dialectic of Enlightenment. Throughout the thesis, the relationships between the dialectic of belief, the dialectic of enlightenment, modern representation, word and image are explored. In the first chapter, "Word," an analysis of the aesthetic form the dialectic assumes in the novel leads to an elucidation of the dialectics of realist representation. In the second chapter, "Image," the dialectic of belief is related to the problem of divine representation. There is a comparative emphasis between Dostoevsky's dialectic and dialectics in the German philosophical tradition and, more specifically, between Dostoevsky's images and Hans Holbein the Younger's painting The Body of the Dead Christ in the Tomb.
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机译:本文提出了一种对卡拉玛佐夫兄弟的辩证法作出回应的辩证法。这种辩证法受到米哈伊尔·巴赫金(Mikhail Bakhtin)的陀思妥耶夫斯基诗学问题,西奥多·W·阿多诺的否定辩证法,马克斯·霍克海默和阿多诺的启蒙辩证法的启发,并与之相关。在整个论文中,探讨了信念的辩证法,启蒙的辩证法,现代表征,文字和图像之间的关系。在第一章“单词”中,对小说中辩证法假设的美学形式的分析导致对现实主义表现形式的辩证法的阐释。在第二章“图像”中,信念的辩证法与神的表征问题有关。陀思妥耶夫斯基的辩证法与辩证法在德国哲学传统中有比较的侧重点,更具体地讲,陀思妥耶夫斯基的图像与汉斯·霍尔拜因(James Hans Holbein)的画作《墓中的死基督的身体》。
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