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Elegance and expression, sweat and strength: Body training, physical culture and female embodiment in women's education at the Margaret Eaton Schools (1901-1941).

机译:优雅与表情,汗水与力量:玛格丽特·伊顿学校(1901-1941)的身体训练,体育文化和女性在女性教育中的体现。

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摘要

This thesis examines the history of the Margaret Eaton School, a private institution of higher learning which was designed to train young upper and middle class women in the field of dramatic arts and physical education in Ontario between 1901 and 1941. The three organizational phases of the school, the School of Expression (1901-1906), the Margaret Eaton School of Literature and Expression (1906-1925) and the Margaret Eaton School (1925-1941) is examined through the directorship of the school's three principals: Emma Scott Raff Nasmith, Mary Hamilton and Florence Somers.; This investigation examines the changing image of the Margaret Eaton girl, as training in elegance and expression for the theatre shifted to training in athletic skill and pedagogic knowledge for the field of physical education. From Emma Scott Raff Nasmith's Delsartean techniques of body movement, to the camping experiences of Mary Hamilton's Algonquin wilderness, to Florence Somer's maternal vision of women's athleticism; each phase added yet another dimension to the evolving portrait of the Margaret Eaton girl. Elegance and expression and sweat and strength were aspects of this body experience. Each director forwarded her own vision of women's education which carried both elements of consistency and facets of difference from her predecessor This thesis examines the uneven contours of this community experience, and analyzes how faculty and students both extended the borders of possibilities for women and, also, conformed to prescriptive patterns of gender appropriate behaviour.; An examination of the school's archival documents is augmented by interviews with faculty and students of the school, and provides the basis for this investigation of over forty years of body training in women's higher education. Through this body experience, students were both transformed and empowered, restricted and stereotyped. The thesis concludes with the closure of the school in 1941, and its absorption into the nation's first co-educational degree program--the School of Physical and Health education at the University of Toronto--in 1942. A glimpse into the benefits and costs of this next stage in the "evolution" of women in higher education is offered, as lost autonomy and a dramatically altered vision of what it meant to be "physically educated" were exchanged for the hope of academic legitimacy.
机译:本论文考察了玛格丽特·伊顿学校的历史,这是一所私立的高等教育机构,其目的是在1901年至1941年之间对安大略省的戏剧艺术和体育教育领域的年轻上层和中产阶级妇女进行培训。学校,表达学校(1901-1906),玛格丽特·伊顿文学与表达学校(1906-1925)和玛格丽特·伊顿学校(1925-1941)通过学校三位校长的主持进行审查:艾玛·斯科特·拉夫·纳史密斯,玛丽·汉密尔顿和佛罗伦萨·萨默斯。这项调查研究了玛格丽特·伊顿(Margaret Eaton)女孩不断变化的形象,因为剧院的高雅和表情训练已转向体育领域的运动技能和教育学知识的训练。从艾玛·斯科特·拉夫·纳史密斯(Emma Scott Raff Nasmith)的Delsartean身体运动技巧,到玛丽·汉密尔顿(Mary Hamilton)的阿尔冈昆(Algonquin)荒野的露营体验,再到佛罗伦萨·萨默(Florence Somer)对女性运动能力的母爱观;每个阶段都为玛格丽特·伊顿女孩不断发展的肖像增添了新的维度。优雅,表情,汗水和力量是这种身体体验的方面。每位董事都提出了自己的女子教育愿景,其中既包含了与前任相结合的内容,又包含了连贯性和差异性。本论文考察了这种社区经历的不平衡轮廓,并分析了教职员工如何扩大女性可能性的边界,以及,符合性别适当行为的规定性模式。对学校档案文件的检查通过与学校教职人员和学生的访谈而得到加强,并为这项调查了女子高等教育40年以上的身体训练提供了基础。通过这种身体体验,学生既得到了转变,又被赋予了权力,被限制和被定型。论文的结尾是该学校于1941年关闭,并于1942年被吸收到加拿大第一个男女同校学位课程-多伦多大学的体育与健康教育学院中。在高等教育中妇女进入“进化”的下一个阶段,人们将失去的自主权和对所谓“受过物理教育”的含义的看法发生了巨大变化,以期获得学术上的合法性希望。

著录项

  • 作者

    Lathrop, Anna Hildegarde.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 Education Physical.; Womens Studies.; Canadian Studies.
  • 学位 Ed.D.
  • 年度 1997
  • 页码 307 p.
  • 总页数 307
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 社会学;人口学;
  • 关键词

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