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A study of the literary thought of Yangzhou school in Qing Dynasty.

机译:清代扬州学派文学思想研究。

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摘要

The Yangzhou School, an important school of evidential research in the Qing Dynasty, has gained wide recognition in its achievements in Classical studies. By contrast, little discussion has been made of the School's contributions in literary studies, although the School, as early as its first establishment, was closely related to problems in literary criticism. In an effort to make up for such a deficiency in contemporary studies on the literary history of the Qing Dynasty and on the history of literary criticism, this dissertation undertakes to collect and organize material related to the literary thoughts of the Yangzhou School.;The dissertation is divided into eight chapters. The first chapter aims to explore the factors leading to the negligence of, and thereby to explicate the significance of a study on, the literary thoughts of the Yangzhou School. The second chapter examines the core and also extensions of the Yangzhou School's literary thoughts, and defines the area and objects of the present study. The third chapter contains an analysis of the two streams of literary thoughts of the Yangzhou School, namely, that represented by Wang Zhong and that by Ling Tingkan. Wang's literary thoughts will be set side by side with Ling's for an examination of their similarities and differences. The process through which the two scholars' thoughts were mingled will be studied and the particular role played by Jiang Fan in the mingling will be introduced. Chapters four and five give a comprehensive presentation of Jiao Xun's literary theory of "yin-yan complementation." His application of the theory on such prevailing genres as guwen (classical prose), shi ('poem'), ci ('lyric'), xiqu ('opera piece') and shiwen (contemporary prose) will be introduced. In the sixth chapter, Ruan Yuan's prose theory will be reconstructed, which, together with his views on Classical studies, will be drawn on to clarify a number of problems where there have been frequent misunderstandings. In chapter seven, the literary thoughts of the Yangzhou School, set side by side with the Tongcheng School's prose-theory, will be elucidated. Conclusions of the dissertation will be given in the eighth chapter.
机译:扬州学派是清代重要的证据学派,其经学成就获得广泛认可。相比之下,尽管学院在成立之初就与文学批评方面的问题息息相关,但却很少讨论该学院在文学研究中的贡献。为了弥补当代清代文学史和文学批评史研究中的不足,本论文致力于收集和整理与扬州学派文学思想有关的资料。共分为八章。第一章旨在探讨导致扬州学派文学思想疏忽的因素,从而阐明研究的意义。第二章探讨扬州学派文学思想的核心和外延,界定本研究的领域和对象。第三章分析了扬州学派的两种文学思想流向,即以王忠为代表的文学思想和以凌廷侃为代表的文学思想。王的文学思想将与凌的文学思想并存,以检验它们的异同。将研究两位学者的思想融合的过程,并介绍姜帆在融合中所起的特殊作用。第四章和第五章全面介绍了焦循的“阴阳互补”文学理论。将介绍他在古文(古典散文),诗(诗),词(抒情诗),戏曲(歌剧片)和诗文(当代散文)等主流流派中的理论应用。在第六章中,阮元的散文理论将得到重建,并结合他对古典学的观点,来阐明经常被误解的许多问题。在第七章中,扬州学派的文学思想与桐城派的散文理论并存。第八章给出了论文的结论。

著录项

  • 作者

    Lee, Kwai Sang.;

  • 作者单位

    The Chinese University of Hong Kong (Hong Kong).;

  • 授予单位 The Chinese University of Hong Kong (Hong Kong).;
  • 学科 Asian literature.;Philosophy of Religion.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 341 p.
  • 总页数 341
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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