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Practical oratory and the art of prose: Aristotle's theory of rhetorical style and its antecedents.

机译:实践演讲和散文艺术:亚里士多德的修辞风格理论及其前身。

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摘要

Aristotle's account of lexis at Rhetoric, Book 3, effectively canonized the subject of style in the rhetorical art. However, Aristotle's stylistic doctrine is puzzling in several significant respects. A few of Aristotle's remarks betray a startling ambivalence toward the very subject of style. His explanations of specific stylistic principles are often underdeveloped and occasionally inconsistent. Finally, the scope of Aristotle's account of style is difficult to determine, as it appears to apply equally to oratory and to more strictly literary modes of prose composition.; This dissertation contends that many of the problematic aspects of Aristotle's stylistic theory are best understood against the background of earlier reflections on the subject of style. I argue that Aristotle's conception of style can be viewed as a response to the debate between Alcidamas and Isocrates. On the one hand, Alcidamas had established a view of rhetorical style that emphasized pragmatic spontaneity; rhetorical style was functional and should be judged solely by its effectiveness within an immediate context of speaking. Isocrates, on the other hand, conceived rhetorical style in terms more nearly related to the formal, aesthetic excellence of literary discourse.; Aristotle's account refines a number of central distinctions proposed in the writings of these earlier rhetoricians: between poetry and colloquial speech, between written and oral styles, and between the styles suited to specific oratorical genres. In the end, however, Aristotle's stylistic theory represents a rather awkward compromise between the perspectives offered in the Alcidamas-Isocrates debate. Aristotle's account shifts uneasily between functional and aesthetic perspectives. Recognition of this feature of his text helps to explain Aristotle's ambivalence toward style and the lack of a clear orientation for his stylistic prescriptions. I conclude that many of Aristotle's stylistic principles betray a subtle bias toward the polished literary work as exemplified by the writings of Isocrates. In contrast, Aristotle shows little appreciation for the style of practical oratory, an attitude indicated in his hesitancy to cite examples of genuine forensic and deliberative speeches and in his belated recognition of a distinct "agonistic" style of rhetorical debate.
机译:亚里士多德(Aristotle)在《修辞学》(Rhetoric),第3书中对词汇的描述有效地规范了修辞艺术中的风格主题。但是,亚里士多德的风格学说在几个重要方面令人费解。亚里士多德的一些言论对风格主题产生了惊人的矛盾。他对特定风格原则的解释常常不完善,有时也不一致。最后,亚里士多德的风格说明的范围很难确定,因为它似乎同样适用于演讲和更严格的散文写作的文学方式。本文认为,在早期对风格问题的反思背景下,对亚里士多德风格理论中许多有问题的方面的理解是最好的。我认为亚里士多德的风格概念可以看作是对Alcidamas和Isocrates之间辩论的回应。一方面,Alcidamas建立了强调务实自发性的修辞风格的观点。修辞风格是功能性的,应仅根据其在说话时的有效性来判断。另一方面,等位者的修辞风格与文学话语的形式化,美学上的卓越联系更为密切。亚里士多德的论述完善了这些早期修辞学家在写作中提出的一些主要区别:诗歌和口语表达之间,书面和口头风格之间以及适用于特定演说体裁的风格之间的区别。然而,最后,亚里士多德的文体理论代表了Alcidamas-Isocrates辩论中提出的观点之间相当尴尬的折衷。亚里士多德(Aristotle)的论述在功能和美学观点之间难以转换。认识到他的文本的这一特征有助于解释亚里士多德对风格的矛盾和缺乏对他的风格处方的明确认识。我得出的结论是,亚里士多德的许多文体学原理都对精打细算的文学作品表现出微妙的偏见,这一点在《等距》的著作中得到了体现。相比之下,亚里士多德对实践演讲的风格几乎没有欣赏,这种态度表现在他犹豫不决地引用了真实的法证和审议性演讲的例子,以及对迟来的对口头辩论风格的“激动”式认可。

著录项

  • 作者

    Graff, Richard J.;

  • 作者单位

    Northwestern University.;

  • 授予单位 Northwestern University.;
  • 学科 Literature Classical.; Language Rhetoric and Composition.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 247 p.
  • 总页数 247
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;语言学;
  • 关键词

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