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Conversations with heart, hand, eye and mind: Art-making as a transformative research approach for an art educator.

机译:与心,手,眼和心灵的对话:艺术创作是艺术教育者的一种变革性研究方法。

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摘要

This dissertation includes a creative project consisting of thirty-seven visual explorations that use art-making to research art accompanied by a contextual essay. It is a visual study that offers the argument that art-making as a research modality in art education affords a flexible waxy to synthesize new learning and process information on the doctoral level. Art-making for this particular project, specifically concentrates on its use when looking for ways to modify undergraduate art education curriculum frameworks so that they are more diverse. Through a series of five art-making research investigations a systematic sequence of complex and rich data emerged. The research began with a group of art-making experiences identified as Ritual/Temporary processes that investigated art-making as process. Along with that inquiry, a second unit employed hands-on visual explorations into non-Western Alternative Aesthetics to study what impact approaching the creative process from non-Western perspectives would have. Following these two initial investigations, Eckert applied the information gleaned from their data to her personal artwork in a series of exploratory visual pieces preceding each with ritual preparation in the form of body-marking, chanting and drumming. From these first three inquiries and the data collected, Eckert embarked on a fourth exploration of art-making as it specifically related to research as both data and a means to gather data. The concluding inquiry was a group of visual investigations into possible applications of art-making research for fellow art educators and the practice of teaching. An important discovery was the limitations placed on the concept of art and art-making for adults by Western culture. The results of this study in art-making in ways outside the Western canon produced insights and information that suggested ways to modify art curriculum on the undergraduate level for art education that would enable educators to teach more multiculturally, cross-culturally and with less gender-bias.
机译:本论文包括一个创造性的项目,该项目由三十七个视觉探索组成,这些视觉探索使用艺术创作来研究艺术,并附带上下文文章。这是一项视觉研究,提出了以下观点:作为艺术教育中的研究形式的艺术创作具有灵活的蜡质,可以在博士水平上综合新的学习和处理信息。在寻找修改本科艺术教育课程框架以使其更加多样化的方法时,该特定项目的艺术创作特别专注于其使用。通过一系列五项艺术创作研究调查,系统得出了一系列复杂而丰富的数据。该研究始于确定为仪式/临时过程的一组艺术创作经验,该过程将艺术创作视为过程。伴随着这一询问,第二个部门对非西方另类美学进行了动手视觉探索,以研究从非西方角度看对创作过程的影响。经过这两次初步调查,埃克特将从他们的数据中收集到的信息应用于一系列探索性视觉作品中的她的个人艺术品上,在每件作品之前进行了以身体标记,诵经和击鼓为形式的仪式准备。从前三个查询和收集到的数据中,埃克特开始了对艺术创作的第四次探索,因为它特别与作为数据和数据收集手段的研究相关。结论性调查是一组视觉调查,目的是研究美术研究对其他美术教育者的可能应用以及教学实践。一个重要发现是西方文化对成人艺术和艺术创作概念的限制。这项以西方经典之外的方式进行的艺术创作研究的结果产生了见识和信息,这些信息和建议提出了在本科层次上为艺术教育修改艺术课程的方法,这将使教育工作者能够在多元文化,跨文化和更少性别的情况下进行教学。偏压。

著录项

  • 作者

    Eckert, Carol A.;

  • 作者单位

    The Union Institute.;

  • 授予单位 The Union Institute.;
  • 学科 Education Art.; Fine Arts.; Education Bilingual and Multicultural.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 190 p.
  • 总页数 190
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术;
  • 关键词

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