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World music curricula in Florida general music classrooms: Identifying methods and materials for implementation.

机译:佛罗里达州一般音乐教室的世界音乐课程:确定实施方法和材料。

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摘要

The purpose of this study was to examine kindergarten through 8th grade general music teachers' (a) world music definitions, (b) world music sources, (c) world music materials, and (d) techniques for implementing world music in the classroom. A 42-item survey, developed from a review of literature, was organized into four major sections: definitions, sources, materials, and techniques for implementing world music in the classroom. The subjects (N = 237), K--8 Florida public school music teachers, were identified through a statewide sampling process provided by the Florida Music Educators National Conference, a professional organization for music teachers.; Results indicate that music educators primarily agree on geographical definitions of world music, (Latin American, African, Asian, and Indian (not American Indian). Significant differences were found between world music definitions of less experienced teachers who have taught from 1--4 years, and teachers who have taught 5 or more years when considering specific locales or styles of music: pop music, Asian music, Native-American music, and Western-art music. Significant differences were also found between responses of Caucasians and minorities to blues, African, Asian, Indian (not American Indian), and Western-art music.; Educators indicated that repertoire books in textbooks were the most valuable place to find information on world music. Most teachers also indicated that Silver Burdett and Macmillan are the most valuable resources for world music materials used in their general music class. Educators indicated "holiday events" as the leading approach for implementing world music in their general music classroom. A free response section revealed a disparity in terms of materials used, and methods for implementation of world music. The disparity in the free response section suggests a difference in teaching techniques; however, survey responses suggest that teachers are consistent in their approach to implementing world Music.
机译:这项研究的目的是通过8年级普通音乐教师的幼儿园(a)世界音乐定义,(b)世界音乐资源,(c)世界音乐材料和(d)在教室中实施世界音乐的技术来检查幼儿园。在对文献进行回顾的基础上进行的一项42项调查,分为四个主要部分:定义,来源,材料和在课堂上实现世界音乐的技术。佛罗里达州K--8公立学校音乐老师(N = 237)是通过佛罗里达音乐教育家全国会议(音乐老师的专业组织)提供的全州抽样程序确定的;结果表明,音乐教育者主要同意世界音乐的地理定义(拉丁美洲,非洲,亚洲和印度(非美洲印第安人)。发现世界音乐定义之间的差异很大,而经验不足的老师从1--4开始授课年,以及在考虑特定地区或音乐风格(包括流行音乐,亚洲音乐,美洲原住民音乐和西方艺术音乐)时教过5年或5年以上的老师,白种人和少数族裔对蓝调的反应也存在显着差异,非洲,亚洲,印度(不是美洲印第安人)和西方艺术音乐;教育工作者指出,教科书中的曲目是寻找世界音乐信息的最有价值的地方,大多数老师还指出,西尔弗·伯迪(Silver Burdett)和麦克米伦(Macmillan)是最多的普通音乐课上使用的世界音乐资料的宝贵资源,教育工作者指出“节假日”是在世界范围内实施世界音乐的主要方法继承人音乐教室。一个免费的回复部分揭示了在使用的材料和实现世界音乐的方法方面的差异。自由回应部分的差异表明教学技巧有所不同。但是,调查结果表明,教师在实施世界音乐方面的方法是一致的。

著录项

  • 作者

    Jackson, James Reginald.;

  • 作者单位

    The Florida State University.;

  • 授予单位 The Florida State University.;
  • 学科 Music.; Education Curriculum and Instruction.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 146 p.
  • 总页数 146
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;教育;
  • 关键词

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