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False trails and funny matches: The unresolved marriage plot in colonial literatures of the North Atlantic.

机译:错误的线索和有趣的匹配:北大西洋殖民文学中未解决的婚姻情节。

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摘要

When Ivanhoe weds the insipid Rowena, who can forget the alluring Rebecca whose hand he relinquishes in the interest of national reconciliation? And how many avid admirers of the immortal Natty Bumppo have read with chagrin his story of unrequited love? For the first time in the Leatherstocking series, the faithful guide loses his way: "Ah's me, Mabel! I have indeed been on a false trail since we met." Like Rebecca, Pathfinder gets left out of the picture, and with his lament, he sums up the challenge to the marriage plot that pervades nineteenth-century novels concerned with the problem of imperialism on native soil.; While recent work on the rise of the novel stresses the consolidation effected by the traditional sentimental marriage, I took at novels where this model fails to apply. In literatures of emerging nations with a conflicted relationship to England, I argue, marital plots and subplots challenge conventional allegories of national reconciliation. Examining four novels that illuminate how the poetics of the marriage plot operate under the pressures of imperialism, I suggest that the problems posed by geographical expansion make for messy marriage plots, ones that push at the seams of the Bildungsroman and its compulsion to sew up conflict.; This dissertation contributes to evolving understandings of the nineteenth-century novel and its development not only because it complicates existing readings of the marriage plot, but also because it places a new emphasis on the importance of looking at North Atlantic literature as an interconnected field that is defined by the problem of divided nationalisms. I argue that distinct poetic affinities exist among nineteenth-century British and American novels concerned with the effects of imperialist expansion on native soil. Approaching genre as a mode of poetics that performs cultural work, I offer the unresolved marriage plot as a construct that addresses normalizing notions of liberty and citizenship in the context of expanding national borders and internally divided nationalities.
机译:当艾芬豪(Ivanhoe)嫁给平淡无奇的罗维娜(Rowena)时,谁能忘记为了国家和解的利益而放弃了诱人的丽贝卡(Rebecca)的手?多少位永生不朽的纳蒂·邦波(Natty Bumppo)的狂热仰慕者cha恼地阅读了他关于单恋的故事?这位忠实的导游第一次在皮袜系列中迷路:“啊,我,玛贝尔!自从我们见面以来,我的确走错了路。”像丽贝卡一样,《探路者》被排除在图片之外,并以他的哀叹概括了对遍及十九世纪小说的婚姻情节的挑战,这些小说涉及本土的帝国主义问题。尽管最近有关小说兴起的工作强调了传统感性婚姻的影响,但我还是尝试了这种模式不适用的小说。我认为,在与英国有冲突关系的新兴国家的文学作品中,婚姻阴谋和次要人物挑战了民族和解的传统寓言。我考察了四本小说,这些小说阐明了在帝国主义的压力下婚姻情节的诗学是如何运作的,我认为地理扩张带来的问题使婚姻情节变得混乱,这些问题推翻了Bildungsroman的缝隙,迫使人们缝制冲突。 。;这篇论文有助于发展对十九世纪小说及其发展的理解,这不仅是因为它使现有的婚姻情节的阅读变得复杂,而且因为它把新的重点放在了将北大西洋文学看作为一个相互联系的领域的重要性上。由分裂的民族主义问题定义。我认为十九世纪的英美小说之间存在着独特的诗意联系,这些帝国主义与帝国主义扩张对本土土壤的影响有关。我将体裁作为一种进行文化工作的诗学方式来对待,我将未解决的婚姻情节作为一种建构,在扩展国界和内部分裂的民族的背景下,解决自由化和公民身份的规范化问题。

著录项

  • 作者

    Walsh, Jacquelyn.;

  • 作者单位

    New York University.;

  • 授予单位 New York University.;
  • 学科 Literature Comparative.; Literature American.; Literature English.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 182 p.
  • 总页数 182
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;
  • 关键词

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