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Bioinformatic bodies: Biopolitics, biotech, and the discourse of the posthuman.

机译:生物信息学机构:生物政治学,生物技术和后人类的话语。

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摘要

Bioinformatic Bodies is an in-depth critical analysis of the ways in which biotechnology is currently transforming the relationships between the body and technology for the future of medicine and scientific theories of life. Combining the approaches of science and media studies, this project examines how the relationships between the body and technology have been reconfigured by molecular biotechnology and genetics research. The analysis focuses on a hybrid figure that is referred to as “the bioinformatic body,” a flexible articulation of genetic “codes” and computer “codes” which underwrites such recent phenomena as: genomics databases, DNA chips, and biological computers. This project argues that current research in biotechnology privileges an informatic approach to the body, while at the same time evincing a deep investment in the ways that biological materiality can be technically optimized. Biotechnology is predicated upon the foundational assumption that “the body” and “information” manifest a reciprocal relation of “total translatability.” In fields such as bioinformatics and genomics, this assumption creates the conditions for a nearly exclusive concentration on the “programming” and “reprogramming” of the genetic body; conversely, in fields such as tissue engineering, it foregrounds instances where information can be translated back into biological materiality.; At stake in this conflation of the genetic and the informatic is a radically transformed notion of the “human.” Building upon the work of Katherine Hayles, Donna Haraway, and Critical Art Ensemble, biotechnology represents a unique type of “posthumanism,” based on a technical logic of encoding, programming, and regeneration, a condition referred to as the use of “biomedia.” Through a consideration of the processes whereby biotechnology reconfigures the body as biomedia, this project highlights the contradictory desires in these future-visions of the posthuman, which claim to effect a radical transformation of the human body, while at the same time expressing a will to maintain the integrity of “the human” through these technological transformations.
机译:生物信息学机构是对生物技术当前如何改变身体与技术之间的关系以进行医学和生命科学理论的未来的深入批判性分析。该项目结合了科学研究和媒体研究的方法,研究了分子生物技术和遗传学研究如何重新构造了身体与技术之间的关系。该分析着重于被称为“生物信息体”的混合体,即遗传“代码”和计算机“代码”的灵活表达,其支持了诸如基因组数据库,DNA芯片和生物计算机等近期现象。该项目认为,当前对生物技术的研究赋予了一种对人体有益的信息学方法,同时表明在技术上可以优化生物重要性的方法上进行了深入的投资。生物技术基于以下基本假设:“身体”和“信息”表现出“总可翻译性”的相互关系。在生物信息学和基因组学等领域,这种假设创造了条件,使人们几乎完全专注于遗传体的“编程”和“重编程”。相反,在诸如组织工程学等领域,它突出了可以将信息转换回生物重要性的实例。遗传学和信息学的这种混杂关系到“人类”的观念的根本转变。生物技术以凯瑟琳·海尔斯,唐娜·哈拉维和批判艺术合奏团的作品为基础,代表了一种独特的“后人类主义”类型,它基于编码,编程和再生的技术逻辑,这种条件被称为“生物媒体的使用”。 ”通过考虑生物技术将身体重新配置为生物媒体的过程,该项目强调了后人类未来愿景中的矛盾愿望,这些愿望声称将实现人体的根本性转变,同时表达对人类的意愿。通过这些技术改造来保持“人类”的完整性。

著录项

  • 作者

    Thacker, Eugene Yongsu.;

  • 作者单位

    Rutgers The State University of New Jersey - New Brunswick.;

  • 授予单位 Rutgers The State University of New Jersey - New Brunswick.;
  • 学科 Mass Communications.; Health Sciences General.; Biology General.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 306 p.
  • 总页数 306
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 传播理论;预防医学、卫生学;普通生物学;
  • 关键词

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