首页> 外文学位 >Displaced modernities: Poetry and politics in the Andean avant-garde (Jose Carlos Mariategui, Carlos Oquendo de Amat, Cesar Vallejo, Peru).
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Displaced modernities: Poetry and politics in the Andean avant-garde (Jose Carlos Mariategui, Carlos Oquendo de Amat, Cesar Vallejo, Peru).

机译:流离失所的现代性:安第斯先锋派的诗歌和政治(乔斯·卡洛斯·玛丽亚特吉,卡洛斯·奥昆多·德阿马特,秘鲁塞萨尔·瓦列霍)。

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摘要

This dissertation focuses on the crucial interaction between periphery and center that informed Andean intellectuals' critical and literary responses to the economic and social changes experienced within their region in this century's early decades. Andean vanguardists such as José Carlos Mariátegui, Carlos Oquendo de Amat, and César Vallejo did not merely appropriate European discourses in their efforts to enter into and engage with the 20 th century. Rather, they provided an index of the places where such imported discourses of the modern broke down in the face of Latin America's startlingly distinct reality. Once exposed, these aporias in the Western discourses of modernity often revealed imperialist designs but, more importantly, they also constituted an opportunity for peripheral intellectuals to layer corrective discourses over hegemonic ones. This move to self-inscription opened up the possibility that autochthonous cultural forms need not be lost in the modern world, but indeed, might help to define it.; To this end, these intellectuals formulated discourses of resistance and recuperation that drew in equal parts from local ideologies such as indigenous utopianism and imported theories like Marxism but refused to either fuse or rank the two. The enunciation of such doubled discourses proved highly resistant to the homogenizing tendency of imperialism because it enabled the buttressing of revolutionary visions with older traditions and so chaperoned the past into the modern period. The three cases studied in this dissertation—the revolutionary indigenism promoted by Peru's José Carlos Mariátegui, the harmonious cityscape that the poet Carlos Oquendo de Amat dreamed of forging from the alien cultures of the sierra and the booming city, and the revitalizing of orality that the poet César Vallejo achieved through a reconfiguration of Spanish Civil War poetry—allow for vigorous critiques of the regions continuing cultural and economic strife in the face of assimilation due to the simple fact that they do not view the modern as antithetical to the autochthonous.
机译:本文的重点是外围与中心之间的关键相互作用,从而使安第斯知识分子对本世纪初几十年来其所在地区的经济和社会变化做出的批评和文学反应成为可能。安第斯先锋主义者,如何塞·卡洛斯·玛丽亚特吉,卡洛斯·奥昆多·德·阿马特和塞萨尔·瓦列霍,不仅在进入和参与20世纪的努力中采用了欧洲话语。相反,它们提供了面对拉丁美洲惊人的独特现实而打破这种现代话语的地方的索引。一旦暴露,西方现代性话语中的这些失语症往往会揭示帝国主义的设计,但更重要的是,它们也为外围知识分子在矫正性话语之上的霸权话语提供了机会。这种自我铭刻的举动开辟了一种可能性,即现代世界中不必失去本土文化形式,但确实可以帮助定义它。为此,这些知识分子制定了抗拒和休养的话语,这些话语同等地来自本地意识形态,例如本土乌托邦主义和马克思主义等外来理论,但拒绝将两者融合或排名。这种双重话语的表述对帝国主义的同质化趋势具有极大的抵抗力,因为它使革命性的观点得以支持较古老的传统,并因此将过去陪伴到了现代时期。本文研究了三个案例:秘鲁的何塞·卡洛斯·玛丽亚特吉(JoséCarlosMariátegui)倡导的革命性的本土主义,诗人卡洛斯·奥昆多·德·阿马特(Carlos Oquendo de Amat)梦想的和谐城市风光,是由 sierra 和蓬勃发展的城市打造而成的,诗人塞萨尔·瓦列霍(CésarVallejo)通过重新构造西班牙内战诗歌而实现的口头复兴—面对被同化而继续遭受文化和经济冲突的地区进行激烈的批评,原因是他们不认为现代主义与土生土长的相对。

著录项

  • 作者

    Coronado, Jorge Felipe.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Literature Latin American.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 225 p.
  • 总页数 225
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I73;
  • 关键词

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