wen (composition), with special attention paid to how literati theorized wen in relation '/> Re-discovering literature in medieval China: Mid-T'ang literary theories and political discourse.
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Re-discovering literature in medieval China: Mid-T'ang literary theories and political discourse.

机译:重新发现中世纪中国的文学:中唐文学理论和政治话语。

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摘要

This dissertation examines the mid-T'ang (ca.750–ca.850) discourse on wen (composition), with special attention paid to how literati theorized wen in relation to their discourses on politics. The objective of this exercise is to unravel the mid-T'ang intellectual world in order to understand how literati acquired a conscious awareness of their identity. This one-century period has been considered a watershed in Chinese intellectual history. Under the pressures of the time leading literati found themselves having to articulate their views on wen. A careful assessment of this discourse is therefore essential to our understanding of the intellectual world in medieval China. The thesis begins by displacing the authority of the “ku-wen yün-tung” (ancient composition movement) in order to broaden our sense of the period. It argues that the discourse should not be seen solely as a response to the An Lu-shan rebellion (755–63), but as something more broadly rooted in the changing politics and culture of the period. Through a survey of remarks on wen made by leading literati—Hsiao Ying-shih, Li Hua, Tu-ku Chi, Liang Su, Ch'üan Te-yü, Liu Mien, Lü Wen, Liu Tsung-yüan, Liu Yü-hsi, Han Yü, Li Ao, Huang-fu Shih, Po Chü-i, Yüan Chen, Tu Mu, and Li Shang-yin—this study demonstrates that the underlying stress was placed on the literary value of wen. A force of reversal was at work. While many literati worked to “re-activate” wen's relevance in politics by both emphasizing its political function and recommending reform in the civil service examinations, many of the key figures in the discourse came to think of wen as a literary construct. The arduous attempt to promote a politicized wen, at the end, receded to the background. Signs of a conscious awareness of wen's literary value suggest a “re-discovery” of wen mainly as a mode of artistic expression rather than as a political construct. Literature became a personal quest for meaning in life and its immediacy had little direct relevance to politics. This points to a moving away from a court-centered orientation of the literati, and suggests a more inward looking attitude among the mid-T'ang literati.
机译:本文考察了唐代中期(约750年至850年左右)关于 wen (构成)的论述,并特别注意了文人对 wen 的理论联系他们关于政治的论述。这项练习的目的是解开唐代中期的知识世界,以便了解文人如何获得对他们身份的有意识认识。这个一个世纪的时期被认为是中国知识史上的一个分水岭。在当时的压力下,领先的文人发现他们不得不表达自己对 wen 的看法。因此,对这种话语进行仔细评估对于我们了解中世纪中国的知识世界至关重要。本文首先以取代“ ku-wenyün-tung”(古代作文运动)的权威来扩大我们的时代意识。它认为,这种话语不应仅仅被视为对安陆山叛乱(755-63)的回应,而应被视为更广泛地植根于该时期不断变化的政治和文化中。通过对主要文人萧文诗,李华,涂谷智,梁苏,川德裕,刘敏,吕雯,刘宗通的《 italic》评论的调查-yüan,刘玉熙,韩雨,李敖,施皇甫,蒲楚宜,陈宇安,涂牧和李尚银—这项研究表明,潜在的压力被放在了文学的文学价值上 wen 。逆转的力量正在发挥作用。尽管许多文人都通过强调文职人员的政治职能并建议公务员考试进行改革来“重新激活”文华人的政治意义,但许多话语者都想到了 wen 作为文学作品。最后,为促进政治化的 wen 而进行的艰苦努力退到了后台。有意识地意识到“文艺”的文学价值的迹象表明,“文艺”的“重新发现”主要是作为一种艺术表达方式,而不是一种政治建构。文学成为对生活意义的个人追求,其直接性与政治几乎没有直接关系。这表明人们远离以法院为中心的文人,这表明唐代中期文人的态度更加内向。

著录项

  • 作者

    Wong, Kwok-yiu.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 History Asia Australia and Oceania.; Literature Medieval.; Literature Asian.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 423 p.
  • 总页数 423
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界史;世界文学;
  • 关键词

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