首页> 外文学位 >Corrections and convergences: The ethical and the religious in Kierkegaard's signed and unsigned works from 'Either/Or' through the 'Postscript' (Soren Kierkegaard).
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Corrections and convergences: The ethical and the religious in Kierkegaard's signed and unsigned works from 'Either/Or' through the 'Postscript' (Soren Kierkegaard).

机译:更正与趋同:基尔凯郭尔的有与无签名作品中的伦理与宗教从“要么”或“到”到“后记”(索伦·基尔凯郭尔)。

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This dissertation examines Kierkegaard's understanding of the relationship between the ethical and the religious, as this is presented in his “esthetic” and “religious” works (as he named them) through the Concluding Unscientific Postscript and Two Ages. That is, I examine major pseudonymous works together with the discourses Kierkegaard published to “accompany” each one. Each pseudonymous work is more complicated and esoteric by design than the accompanying discourses, so exegesis and interpretation of these must occupy the bulk of the dissertation. However, I also give due attention to the discourses, using them to clarify important themes from the pseudonyms and to discover new themes not presented in the indirect works. By examining Kierkegaard's authorship in published chronological order, rather than the more usual approach of separating out the pseudonyms from the discourses, I attempt to facilitate a dialectical treatment of the two tracks of the authorship, so that each comments on the other, highlighting important elements which might be missed otherwise. I discuss in particular his attempts to distinguish the ethical from the religious, his understanding of how the self moves into the ethical, and then out again into the religious, and finally his presentation of how the ethical continues, “transfigured” by the religious, to play its part in the life of the religious individual.; Through this reading I develop an understanding of Kierkegaard's thought in which the ethical and the religious are indeed conceptually distinguishable, though practically inseparable if either is to be complete; and I develop an understanding of Kierkegaard's ethical and religious writings in which the pseudonyms depict (both dramatically in their characters and theoretically in their writing) the exaggerations and dysfunctions which occur when the individual pursues a particular life-view to the exclusion of other essential elements of the self, while the accompanying direct writings depict the themes of their pseudonymous adjuncts as they should be lived in healthy integration within the religious life.
机译:本论文考察了基尔凯郭尔对道德与宗教之间关系的理解,这是在他的《美学》和《宗教》作品(以他的名字命名)中通过《结论性不科学的笔录》和《两个时代》而提出的。也就是说,我将主要的笔名作品与Kierkegaard所发表的“陪伴”每个作品的论述一起进行研究。每个笔名作品在设计上都比附带的论述更为复杂和深奥,因此,对它们的解释和解释必须占据论文的大部分。但是,我也对这些话语给予了应有的重视,利用它们来阐明假名中的重要主题,并发现间接作品中未出现的新主题。通过按已出版的时间顺序检查基尔凯郭尔的作者身份,而不是从话语中分离假名的更通常的方法,我试图促进对作者身份的两个轨迹的辩证法处理,以便彼此评论,突出重要元素否则可能会错过。我将特别讨论他试图区分伦理学与宗教的尝试,他对自我如何进入伦理学,然后再次进入宗教的理解,最后是他对伦理学如何被宗教“化身”的陈述,在宗教人士的生活中发挥作用。通过阅读,我对克尔凯郭尔的思想有了理解,在伦理学和宗教上确实可以区分,尽管要想完全做到这一点实际上是不可分割的。我对克尔凯郭尔的伦理和宗教著作有了一种理解,其中假名描绘了(其特征和理论上都具有戏剧性)夸张和功能失调,这些夸张和功能失调是当个人追求特定的生活观而排除其他基本要素时发生的自我的象征,而伴随的直接作品则描绘了他们的化名辅音的主题,因为他们应该生活在宗教生活中的健康融合中。

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