首页> 外文学位 >The emergent self: Identity, trauma, and the neo-gothic in 'The Woman Warrior', 'Comfort Woman', 'Beloved', and 'Ceremony' (Maxine Hong Kingston, Nora Okja Keller, Toni Morrison, Leslie Marmon Silko).
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The emergent self: Identity, trauma, and the neo-gothic in 'The Woman Warrior', 'Comfort Woman', 'Beloved', and 'Ceremony' (Maxine Hong Kingston, Nora Okja Keller, Toni Morrison, Leslie Marmon Silko).

机译:出现的自我:“女战士”,“慰安妇”,“心爱的人”和“仪式”中的身份,创伤和新哥特式(马克辛·金·金斯顿,娜拉·奥卡·凯勒,托妮·莫里森,莱斯利·马蒙·西尔科)。

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摘要

This study examines the social and psychological dimensions of establishing identity in four recent American novels that deal with personal and historical trauma for two generations: Maxine Hong Kingston's The Woman Warrior , Nora Okja Keller's Comfort Woman, Toni Morrison's Beloved, and Leslie Marmon Silko's Ceremony. In each of these books, a woman from the older generation suffers from some form of historical trauma---the Communist Revolution in China, the invasion of Korea by Japan, slavery in the southern United States, and World War II that in each case causes the loss of a child, resulting in the destruction of an elemental aspect of her identity, her identity as a mother. Subsequent children (or foster child in the case of Ceremony) are marginalized or treated as Other, and they suffer from the trauma of absence, specifically the lack of a communicative, nurturing relationship with a mother.; The shared features of these four novels---loss, identity disruption, and supernatural intervention---are not only aspects of trauma but are gothic literary conventions as well. Thus, in addition to exploring the theme of trauma and its affect on individual identity formation, each work is examined in terms of its relationship to the gothic, a genre with a long history of employing the supernatural while examining social injustice. This study proposes that these works of contemporary American ethnic fiction employ or revise the gothic in order to deal with trauma, identity, the past, ethnicity, and gender and concludes that the treatment of the supernatural in these works is neither imaginary nor inimical to the characters (as is the case in traditional gothic works) but has a positive influence on the protagonists that qualifies them as neo-gothic. This study also suggests that the protagonists make new connections to their ethnic communities, providing a sense of communal identity that their trauma had previously denied them.
机译:这项研究考察了两本涉及两代人身和历史创伤的美国最近四本小说中建立身份的社会和心理维度:洪金斯顿(Maxine Hong Kingston)的《女战士》(The Woman Warrior),娜拉·奥卡娅·凯勒(Nora Okja Keller)的《慰安妇》,托尼·莫里森(Toni Morrison)的《心爱的人》和莱斯利·马蒙·西尔科(Leslie Marmon Silko)的仪式。在这两本书中,每一个老一辈的女人都遭受某种形式的历史创伤-中国共产主义革命,日本入侵朝鲜,美国南部的奴隶制以及第二次世界大战导致失去孩子,导致其身份的基本面,即母亲的身份受到破坏。随后的孩子(在仪式上为寄养孩子)被边缘化或被视为“其他”,他们遭受缺席的创伤,特别是缺乏与母亲的沟通,抚养关系。这四本小说的共同特征-失落,身份破坏和超自然干预-不仅是创伤的方面,也是哥特式的文学习俗。因此,除了探讨创伤的主题及其对个人身份形成的影响外,还根据与哥特式的关系来研究每件作品,哥特式是一种历史悠久的流派,在审视社会不公时采用了超自然现象。这项研究提出,当代美国族裔小说的这些作品采用或修改了哥特式小说来处理创伤,身份,过去,种族和性别,并得出结论认为,这些作品中对超自然现象的处理既不是想象的,也不是消极的。角色(在传统的哥特式作品中就是这种情况),但对主角有积极的影响,使他们有资格成为新哥特式。这项研究还表明,主角与他们的族裔社区建立了新的联系,给人一种社区认同感,即他们的创伤曾使他们无法接受。

著录项

  • 作者

    Vanrheenen, Beth.;

  • 作者单位

    Wayne State University.;

  • 授予单位 Wayne State University.;
  • 学科 Literature American.; Literature Modern.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 231 p.
  • 总页数 231
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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