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Tonal pattern and rhythm pattern hierarchies and the long -term importance of kindergarten music instruction.

机译:音调模式和节奏模式的层次结构以及幼儿园音乐教学的长期重要性。

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摘要

With the purpose of improving understanding of the musical abilities of kindergarten and primary grade children, the problems of the study were to investigate the performance difficulty of tonal patterns and rhythm patterns, the relationship between audiation and performance, and the effects of kindergarten music instruction on developmental music aptitude and music achievement.;Subjects (N = 560) were in kindergarten, first, and second grades from two school districts; one provided kindergarten music instruction, the other did not. A standardized measure of developmental music aptitude, the Primary Measures of Music Audiation (PMMA), was administered twice (pretest and posttest) to kindergarten subjects, and once (posttest) to first- and second-grade subjects. A measure of achievement, the investigator-designed Tonal Pattern and Rhythm Pattern Performance Test (TPRPT), was administered individually to all subjects. Two independent judges rated the performances using six-point rating scales.;Hierarchies of tonal and rhythm performance patterns were established by examining difficulty levels for all TPRPT patterns. Tonal pattern difficulty is determined by range, number of notes, and intervallic relationships, not by direction, nor tonality. Rhythm pattern difficulty is determined by meter. Factor analyses revealed differences in constructs of tonal performance and audiation patterns, but similar constructs in rhythm performance and audiation patterns.;A Pearson correlation revealed a low correlation between audiation ( PMMA) and performance (TPRPT). During the developmental aptitude stage, audiation and performance are distinct, unrelated processes.;Differences in music aptitude, examined using ANOVA (District x Grade x PMMA), were significant for rhythm (p < .01), favoring the district without kindergarten music instruction, but non-significant for tonal. Differences in music achievement, examined using ANOVA (District x Grade x TPRPT), were significant for tonal (p < .001), favoring the district with kindergarten music instruction, but non-significant for rhythm. Differences in grade levels were significant (p < .001) for aptitude and achievement, indicating effects of kindergarten music instruction may extend through second grade. Asymmetrical relationships exist between tonal and rhythm aptitude development, and between tonal and rhythm achievement development in primary grade children.
机译:为了增进对幼儿园和小学三年级儿童音乐能力的理解,本研究的问题是调查音调模式和节奏模式的演奏难度,听觉与演奏的关系以及幼儿园音乐教学对儿童的影响。音乐发展能力和音乐成就。受试者(N = 560)来自两个学区的幼儿园,一年级和二年级;一个提供了幼儿园音乐教学,另一个没有提供。对幼稚园科目进行了两次(预测和后测),对发展中的音乐能力进行了标准化的测量,即“音乐听觉的主要衡量标准”(PMMA),对一,二年级的科目进行了一次(后测)。由研究人员设计的“音调模式和节奏模式性能测试”(TPRPT)是对成绩的一种衡量标准,是对所有受试者单独进行的。两位独立的法官使用六点等级量表对表演进行评分。通过检查所有TPRPT模式的难度水平,建立了音调和节奏表演模式的等级体系。音调模式的难度取决于音域,音符数量和间隔关系,而不取决于方向或音调。节奏模式的难度由米确定。因子分析揭示了音调表现和听觉模式的结构差异,但节奏表现和听觉模式的结构相似。皮尔逊相关性表明,听觉(PMMA)与表现(TPRPT)之间的相关性较低。在发育能力阶段,听觉和演奏是不同的,无关的过程。使用ANOVA(District x Grade x PMMA)检查的音乐能力差异对节奏有重要影响(p <.01),有利于没有幼儿园音乐指导的地区,但对于音调而言并不重要。使用ANOVA(地区x等级x TPRPT)检查的音乐成就差异在音调上具有显着意义(p <.001),偏爱幼儿园音乐指导的地区,但节奏上则无意义。年级水平在才智和成就方面存在显着差异(p <.001),表明幼儿园音乐教学的效果可能会延伸到二年级。小学三年级儿童的音调和节奏能力发展之间以及音调和节奏成就发展之间存在不对称关系。

著录项

  • 作者

    Wolf, Debbie Lynn.;

  • 作者单位

    Temple University.;

  • 授予单位 Temple University.;
  • 学科 Education Music.;Education Early Childhood.;Psychology Developmental.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 170 p.
  • 总页数 170
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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